American fiction; Detective and mystery stories, American; Narrative poetry, American
Anton Sosnowski, from the Shakspeare School
Where he assists the janitor, sweeps and dusts,
The day now done, sits by a smeared up table
Munching coarse bread and drinking beer; before him
The evening paper spread, held down or turned
By claw-like hands, covered with shiny scars.
He broods upon the war news, and his fate
Which keeps him from the war, looks up and sees
His scarred face in the mirror over the wainscot;
His lashless eyes and browless brows and head
With patches of thin hair. And then he mutters
Hot curses to himself and turns the paper
And curses Germany, and asks revenge
For Poland's wrongs.
And what is this he sees?
The picture of his ruin and his hate,
Wert Rufus Fox! This leader of the bar
Is made the counselor of the city, now
The city takes gas, cars and telephones
And runs them for the people. So this man
Grown rich through machinations against the people,
Who fought the people all his life before,
Abettor, aider, thinker for the slickers
Regraters and forestallers and engrossers,
Is now the friend, adviser of the city,
Which he so balked and thwarted, growing rich,
Feared, noted, bowed to for the very treason
For which he is so hated, yet deferred to.
And Anton looks upon the picture, reads
About the great man's ancestry here printed,
And all the great achievements of his life;
Once president of the bar association,
And member of this club and of that club.
Contributor to charities and art,
A founder of a library, a vestryman.
And Anton looks upon the picture, trembles
Before the picture's eyes. They are the eyes
Of Innocent the Tenth, with cruelty
And cunning added--eyes that see all things
And boulder jaws that crush all things--the jaws
That place themselves at front of drifts, are placed
By that world irony which mocks the good,
And gives the glory and the victory
To strength and greed.
Anton Sosnowski looks
Long at the picture, then at his own hands,
And laughs maniacally as he takes the mug
With both hands like a bird with frozen claws,
These broken, burned off hands which handle bread
As they were wooden rakes. And in a mirror
Beside the table in the wall, smeared over
With steam from red-hots, kraut and cookery,
Of smoking fats, fixed by the dust in blurs,
And streaks, he sees his own face, horrible
For scars and splotches as of leprosy;
The eyes that have no lashes and no brows;
The bullet head that has no hair, the ears
Burnt off at top.
So comes it to this Pole
Who sees beside the picture of the lawyer
The clear cut face of Elenor Murray--yes,
She gave her spirit to the war, is dead,
Her life is being sifted now. But Fox
Lives for more honors, and by honors covers
His days of evil.
Public-domain text, read in full here on John Shaqi.
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