American fiction; Detective and mystery stories, American; Narrative poetry, American
Well, you see
I read each day about the inquest--good!
Dig out the truth, begin a system here
Of making family records, let us see
If we can do for people when we know
How best to do it, what is done for stock.
So build up Illinois, the nation too.
I read about you daily. And last night
When Elenor Murray's picture in the _Times_
Looked at me, I began to think, Good Lord,
Where have I seen that face before? I thought
Through more than fifty years departed, sent
My mind through Europe and America
In all my travels, meetings, episodes.
I could not think. At last I opened up
A box of pamphlets, photographs, mementos,
Picked up since 1860, and behold
I find this pamphlet of La Belle Menken.
Here is your Elenor Murray born again,
As here might be your blackbird of this year
With spots of red upon his wings, the same
As last year's blackbird, like a pansy springing
Out of the April of this year, repeating
The color, form of one you saw last year.
Repeating and the same, but not the same;
No two alike, you know. I'll come to that.
Well, then, La Menken--as a boy in Paris
I saw La Menken, I'll return to this.
But just as Elenor Murray has her life
Shadowed and symbolized by our Starved Rock--
And everyone has something in his life
Which takes him, makes him, is the image too
Of fate prefigured--La Menken has Mazeppa,
Her notable first part as actress, emblem
Of spirit, character, and of omen too
Of years to come, the thrill of life, the end.
Who is La Menken? Symbol of America,
One phase of spirit! She was venturesome,
Resourceful, daring, hopeful, confident,
And as she wrote of self, a vagabond,
A dweller in tents, a reveler, and a flame
Aspiring but disreputable, coming up
With leaves that shamed her stalk, could not be shed,
But stuck out heavy veined and muddy hued
In time of blossom. There are souls, you know,
Who have shed shapeless immaturities,
Betrayals of the seed before the blossom
Comes to proclaim a beauty, a perfection;
Or risen with their stalk, until such leaves
Were hidden in the grass or soil--not she,
Nor even your Elenor Murray, as I read her.
But being America and American,
Brings good and bad together, blossom and leaves
With prodigal recklessness, in vital health
And unselective taste and vision mixed
Of beauty and of truth.
Public-domain text, read in full here on John Shaqi.
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