American fiction; Detective and mystery stories, American; Narrative poetry, American
Last night we dined,
Afterward went to her apartment. First
She told me at the dinner that her niece
Named Elenor Murray died some days ago.
I sensed what she was after--here's the point:--
She followed up the theme when we returned
To her apartment, where we quarreled. You see
I would not do her bidding, left her mad,
In silent wrath after some bitter words.
I managed her divorce as I have said,
Then I stepped in as lover, months had passed.
When Elenor Murray came here to New York,
I met her at the apartment of the aunt
Whose name is Margery Camp. Before, she said
Her niece was here, was happy and in love
But sorrowful for leaving, just the talk
That has no meaning till you see the subject
Or afterwards, perhaps; it passes in
One ear and out the other. Then at last
One afternoon I met this Elenor Murray
When I go up to call on Margery Camp.
The staging of the matter is like this:
The niece looks fagged, is sitting on the couch,
Has loosed her collar for her throat to feel
The air about it, for the day is hot.
And Margery Camp goes out, brings in a pitcher
Of absinthe cocktails, so we drink. I sit,
Begin to study what is done, and look
This Elenor Murray over, get the thought
That somehow Margery Camp has taken Elenor
In her control for something, has begun
To use her, manage her, is coiling her
With dominant will or cunning. Then I look,
See Margery Camp observing Elenor Murray,
Who drinks the absinthe, and in Margery's eyes
I see these parallelograms of light
Just like a vase of crockery, there she stands,
Her face like ivory, and laughs and shows
Her marvelous teeth, smooths with her shapely hands
The skirt upon her hips. Somehow I feel
She is a soul who watches passion work.
Then Elenor Murray rouses, gets her spirits
Out of the absinthe, rises and exclaims:
"I'm better now;" and Margery Camp speaks up,
Poor child, in intonation like a doll
That speaks from reeds of steel, no sympathy
Or meaning in the words. The interview
Seems spooky to me, cold and sinister.
We drink again and then we drink again.
And what with her fatigue and lowered spirits,
This Elenor Murray drifts in talk and mood
With so much drink. At last this Margery Camp
Says suddenly: "You'll have to help my niece,
There is a matter you must manage for her,
We've talked it over; in a day or two
Before she goes away, we'll come to you."
I took them out to dinner, after dinner
Drove Margery Camp to her apartment, then
Went down with Elenor Murray to her place.
Public-domain text, read in full here on John Shaqi.
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