American fiction; Detective and mystery stories, American; Narrative poetry, American
But at last
A different Elenor Murray than I knew
There in the hospital took shape before me.
That serving soul, that maid of humble tasks,
And sacrifice for others, and that face
Of waitress or of ingenue, day by day
Assumed sophistication, looks and lines
Of knowledge in the world, experience
in places of patrician ways. She knew
New York as well as I, cafés and shops;
Dropped pregnant hints at times that made me think
What more she knew, what she was holding back.
Until at last all she had done for me
Seemed just what mortals do to earn their bread
In any calling, made more generous, maybe,
By something in a moment's mood. In truth
The ideal showed the clogged pores in the skin
Under the light she stood in. For you know
When we see people happy we can say
Those tears were not all tears--we pitied more
Than we were wise to pity--that's the feeling:
Most men are Puritans in this, I think.
A woman dancing, drinking, makes you laugh,
And half despise yourself for great emotion
When seeing her in prayer or reverent thought.
But now I come to something more concrete:
The day before the major came we lunched
Where we could see the Mediterranean,
The clubs, hotels and villas. There she sat
All dressed in white, a knitted jacket of silk
Matching the leaves upon the trees, and looked
As fashionable as the rest. The waiter came.
She did not take the card nor order from it,
Was nonchalant, familiar, said at last:
"We want some Epernay. You have it doubtless."
The waiter bowed. I looked at Elenor,
That was the character of revealing things
I saw from day to day. For truth to tell
This Epernay might well have been charged water
For all I knew. I asked her, and she said:
"Delicious wine, not strong." And so we lunched,
And the music stormed, and lunchers gabbled, smoked,
And dandies ogled. And this Epernay
Worked in our blood and Elenor rattled on.
And she was flinging eyes from right to left
And moving rhythmically from hip to hip,
And with a finger beating out the time.
Somehow our hands touched, then she closed her eyes,
Her body shook a little and grew limp.
"What is the matter?" Then she raised her eyes
And looked me through an instant. What, my dear,
You won't hear any more? Oh, very well,
That's all, there is no more.
Public-domain text, read in full here on John Shaqi.
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