American fiction; Detective and mystery stories, American; Narrative poetry, American
I have seen twenty men hanged, hung myself
Two in this jail, with whom I talked the night
Before they had the rope, knotted behind
The ear to break the neck. These two I hanged,
One guilty and defiant, taking chops,
Four cups of coffee just an hour before
We swung him off; the other trembling, pale,
Protesting innocence, but guilty too--
Both wore the same look in the middle watch.
I tell you what it is: You take a steer,
And windlass him to where the butcher stands
With hammer ready for the blow and knife
To slit the throat after the hammer falls,
Well, there's a moment when the steer is standing
Head, neck strained side-ways, eyes rolled side-ways too,
Fixed, bright seen this way, but another way
A film seems spreading on them. That's the look.
They wear a corpse-like pallor, and their tongues
Are loose, sprawl in their mouths, lie paralyzed
Against their teeth, or fall back in their throats
Which make them cough and stop for words and close
Dry lips with little pops.
There's something else:
Their minds are out of them, like a rubber band
Stretched from the place it's pinned, about to break.
And all the time they try to draw it back,
And give it utterance with that sprawling tongue,
And lips too dry for words. They hold it tight
As a woman giving birth holds to the sheet
Tied to the bed's head, pulls the sheet to end
The agony and the reluctance of the child
That pauses, dreads to enter in this world.
So was it with Fred Taylor. But before
The high Court shook his hope, he talked to me
Freely and fully, saying many times
What could the world expect of him beside
Some violence or murder? He had borrowed
The books his lawyers used to fight for him,
And read for hours and days about heredity.
And in our talks he said: mix red and violet,
You have the color purple. Strike two notes,
You have a certain chord, and nature made me
By rules as mathematical as they use
In mixing drugs or gases. Then he'd say:
Look at this table, and he'd show to me
A diagram of chickens, how blue fowls
Come from a cross of black with one of white
With black splashed feathers. Look at the blues, he'd say.
They mate, and of four chickens, two are blue,
And one is black and one is white. These blues
Produce in that proportion. But the black
And white have chickens white and black, you see
In equal numbers. Don't you see that I
Was caught in mathematics, jotted down
Upon a slate before I came to earth?
They could have picked my forbears; on a slate
Forecast my soul, its tendencies, if they
Had been that devilish. And so he talked.
Public-domain text, read in full here on John Shaqi.
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