Domestic Annals of Scotland from the Reformation to the Revolution, Volume 1 (of 2)Chambers, Robert
History
Domestic Annals of Scotland from the Reformation to the Revolution, Volume 1 (of 2)
Chambers, Robert
Scotland -- History -- 16th century; Scotland -- History -- 17th century
The family of Monro of Foulis, in Ross-shire, which still flourishes,
was even then one of great antiquity, being represented by the
seventeenth baron in succession. Holding possessions on the borders of
the Highlands, it hovered between the characters of the Celtic chief
and the Lowland gentleman. Ross of Balnagowan was a rich neighbour
of similar character. The _Lady Foulis_ of the year 1576--to use her
common appellation--was Catherine Ross of the latter family, the second
wife of her husband. She had a son named George; but the succession
was barred to him by two sons of the previous marriage of her husband,
Robert and Hector.
[Sidenote: 1590.]
Her husband and his eldest son were dead when, at the above date, she
and Hector, then representative of the family, were tried separately
for sundry offences, Hector being, strange to say, the private pursuer
against his step-mother, although he had immediately after to take
his own place at the bar as a criminal. The dittay against the lady
set forth a series of attempts at serious crime, partly prosecuted by
natural means, and partly by superstitious practices. It appeared that
she desired to put her eldest step-son out of the way, not, as might
have been supposed, to favour the succession of her own offspring,
but that her brother, George Ross of Balnagowan, might be free to
marry Robert Monro’s wife; to which end she also took steps for the
removal of the wife of George Ross. It appears that she was not only
prompted to, but assisted in her attempts by George Ross himself,
although no judicial notice was taken of his criminality. Catherine
Ross, described as daughter of Sir David Ross of Balnagowan, was
also concerned. Having formed her design some time in the year 1576,
Lady Foulis opened negotiations with various wretched persons in her
neighbourhood, who practised witchcraft; and first with one named
William M‘Gillivray, whom she feed with a present of linen cloth, and
afterwards with sums of money. One Agnes Roy, a notorious witch, was
sent by her to secure the services of a particularly potent sorceress,
named Marion M‘Kean M’Alister, or more commonly _Lasky Loncart_, who
was brought to Foulis, and lodged with Christian Ross Malcomson, that
she might assist with her diabolic arts. Christian, too, was sent to
Dingwall, to bring John M‘Nillan, who appears to have been a wizard
of note. Another, named Thomas M‘Kean M‘Allan M‘Endrick, was taken
into counsel; besides whom there were a few subordinate instruments.
Some of the horrible crew being assembled at Canorth, images of the
young Laird of Foulis and the young Lady Balnagowan were formed of
butter, set up and shot at by Lasky Loncart with an _elf-arrow_; that
is, one of those flint arrow-heads which are occasionally found, and
believed by the ignorant to be fairy weapons, while in reality they
are relics of our savage ancestors. The shot was repeated eight times,
but without hitting the images; so this was regarded as a failure. On
Public-domain text, read in full here on John Shaqi.
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