Clergy -- Fiction; Iowa -- Fiction; Mississippi River Valley -- Fiction
The new organ was a magnificent instrument. Behind the pulpit and the
choir stall the great pipes arose in a convex semicircle as typical of
aspiring praise as any Gothic cathedral, and when, Saturday evening,
Professor Hedden seated himself on the player's bench and, after resting
his hands for a moment on the keyboard, plunged into some tremendous
“voluntary” of his own composition, the mountains and the ocean and all
the wild winds of Heaven seemed to join in one great burst of gigantic
harmony. It seemed then to David Dean that the organ pipes should
have been painted in glorious gold and all the triumphant hues of a
magnificent sunrise instead of the fiat terra cotta and moss green that
had been chosen as harmonizing with the church interior.
Presently the wild tumult of sound softened to the sighing of a breeze
through the pine trees, to the rippling of a brook, to the croon of a
mother over a babe. David held his breath as the crooning died, softer
and softer, until he saw the mother place the sleeping child in its
crib, and when the last faint note died into silence there were tears in
his eyes. This was music! It was such music as Riverbank had never heard
before!
“This is another of my own,” said Professor Hedden and the organ began
to laugh like nymphs at play in a green, sunny field--tricksy laughter
that made the heart glad--and that changed into a happy hands-all-around
romp, interrupted by the thin note of a shepherd's flute. Out from the
trees bordering the field David could see the shepherd come, swaying
the upper part of his body in time to his thin note, and behind him came
dancing nymphs and dryads and fauns. He touched 'Thusia's hand, and she
nodded and smiled without taking her eyes from the organ. Then the
dash of cymbals and the blare of trumpets and the martial tread of the
warriors shook the green field--thousands of armed men--and all the
while, faint but insistent, the piping of the shepherd and the laughter
of the dancing nymphs. And then came priests bearing an altar, chanting.
The cymbals and the flute and the trumpets ceased and the dancers were
still. David could see the altar carried to the center of the green
field. There was a moment of pause and then arose, faint at first but
growing stronger each instant, the hymn of praise, of praise triumphant
and all-overpowering. Mightier and mightier it grew until the whole
universe seemed to join in the glorification of deity. David half arose
from his seat, his hands grasping the back of the pew in front of him.
Praise! this was praise indeed; praise worthy of the God worshiped in
this church; worthy of any God!
As the music ceased David's eye fell on Miss Hurley at the far end of
his pew. The thin little woman in her cheap garments was wiping her eyes
with her handkerchief. Her hands trembled with emotion. Suddenly she
dropped her forehead to the back of the pew before her and with one
silk-gloved hand on either side of her cheek, remained so.
Public-domain text, read in full here on John Shaqi.
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