That isle is now all desolate and bare,
Its dwellings down, its tenants pass’d away;
None but her own and father’s grave is there,
And nothing outward tells of human clay;
Ye could not know where lies a thing so fair,
No stone is there to show, no tongue to say
What was; no dirge, except the hollow sea’s,
Mourns o’er the beauty of the Cyclades.
But many a Greek maid in a loving song
Sighs o’er her name; and many an islander
With her sire’s story makes the night less long;
Valour was his, and beauty dwelt with her:
If she loved rashly, her life paid for wrong—
A heavy price must all pay who thus err,
In some shape; let none think to fly the danger,
For soon or late Love is his own avenger.
But let me change this theme which grows too sad,
And lay this sheet of sorrows on the shelf;
I don’t much like describing people mad,
For fear of seeming rather touch’d myself—
Besides, I’ve no more on this head to add;
And as my Muse is a capricious elf,
We’ll put about, and try another tack
With Juan, left half-kill’d some stanzas back.
Wounded and fetter’d, ‘cabin’d, cribb’d, confined,’
Some days and nights elapsed before that he
Could altogether call the past to mind;
And when he did, he found himself at sea,
Sailing six knots an hour before the wind;
The shores of Ilion lay beneath their lee—
Another time he might have liked to see ’em,
But now was not much pleased with Cape Sigaeum.
There, on the green and village-cotted hill, is
(Flank’d by the Hellespont and by the sea)
Entomb’d the bravest of the brave, Achilles;
They say so (Bryant says the contrary):
And further downward, tall and towering still, is
The tumulus—of whom? Heaven knows! ’t may be
Patroclus, Ajax, or Protesilaus—
All heroes, who if living still would slay us.
High barrows, without marble or a name,
A vast, untill’d, and mountain-skirted plain,
And Ida in the distance, still the same,
And old Scamander (if ’tis he) remain;
The situation seems still form’d for fame—
A hundred thousand men might fight again
With case; but where I sought for Ilion’s walls,
The quiet sheep feeds, and the tortoise crawls;
Troops of untended horses; here and there
Some little hamlets, with new names uncouth;
Some shepherds (unlike Paris) led to stare
A moment at the European youth
Whom to the spot their school-boy feelings bear;
A turk, with beads in hand and pipe in mouth,
Extremely taken with his own religion,
Are what I found there—but the devil a Phrygian.
Don Juan, here permitted to emerge
From his dull cabin, found himself a slave;
Forlorn, and gazing on the deep blue surge,
O’ershadow’d there by many a hero’s grave;
Weak still with loss of blood, he scarce could urge
A few brief questions; and the answers gave
No very satisfactory information
About his past or present situation.
Public-domain text, read in full here on John Shaqi.
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