"Senor," he said, "I pray you to permit me to lean my mandolin against the wall securely before we speak of my song." "Most surely, senor," the stranger replied, "for there is no fault with the mandolin." "Senor," Rodriguez said, "I thank you profoundly." And he bowed to the gallant, whom he now perceived to be young, a youth tall and lithe like himself, one whom we might have chosen for these chronicles had we not found Rodriguez. Then Rodriguez stepped back a short way and placed his kerchief on the ground; and upon this he put his mandolin and leaned it against the wall. When the mandolin was safe from dust or accident he approached the stranger and drew his sword. "Senor," he said, "we will now discuss music." "Right gladly, senor," said the young man, who now drew his sword also. There were no clouds; the moon was full; the evening promised well. Scarcely had the flash of thin rapiers crossing each other by moonlight begun to gleam in the street when Morano appeared beside them and stood there watching. He had bought his bacon and gone straight to the house with the balcony. For though he knew no Latin he had not missed the silent greeting that had welcomed his master to that village, or failed to interpret the gist of the words that Rodriguez' dumb glance would have said. He stood there watching while each combatant stood his ground. And Rodriguez remembered all those passes and feints that he had had from his father, and which Sevastiani, a master of arms in Madrid, had taught in his father's youth: and some were famous and some were little known. And all these passes, as he tried them one by one, his unknown antagonist parried. And for a moment Rodriguez feared that Morano would see those passes in which he trusted foiled by that unknown sword, and then he reflected that Morano knew nothing of the craft of the rapier, and with more content at that thought he parried thrusts that were strange to him. But something told Morano that in this fight the stranger was master and that along that pale-blue, moonlit, unknown sword lurked a sure death for Rodriguez. He moved from his place of vantage and was soon lost in large shadows; while the rapiers played and blade rippled on blade with a sound as though Death were gently sharpening his scythe in the dark. And now Rodriguez was giving ground, now his antagonist pressed him; thrusts that he believed invincible had failed; now he parried wearily and had at once to parry again; the unknown pressed on, was upon him, was scattering his weakening parries; drew back his rapier for a deadlier pass, learned in a secret school, in a hut on mountains he knew, and practised surely; and fell in a heap upon Rodriguez' feet, struck full on the back of the head by Morano's frying-pan.