Don Sebastian : $b or, The house of the Braganza: An historical romance. vol. 1Porter, Anna Maria
General
Don Sebastian : $b or, The house of the Braganza: An historical romance. vol. 1
Porter, Anna Maria
Sebastião, King of Portugal, 1554-1578 -- Fiction
The shadows of evening were now deepening, the gloom of the rocks as
he passed along; though the sun had been long set, the air burnt like
a furnace; the ground too was scorching; and the colour of the verdure
being lost in the grey of twilight, contributed with this unrelenting
heat, to give an air of savage sterility to the scene.
Dried up by powerful suns, the mountain stream was known only by its
stony channel; Sebastian hastily crossed it, and pushing through the
matted boughs of the locust trees, a solitary bird shot from amongst
them, and startled him with her piercing cry; long after she was flown,
he stood listening to her fearful echo.
What a spot for the last bed of a hero! yet Stukeley slept in it
undisturbed!
Never before, had death been so impressed on the senses of the young
monarch. The desolation of the place, its now awful stillness, the
deepening twilight, the devouring element by which he was surrounded,
(for he knew not how to deem it air) and the strong contrast to them
in his own animated hopes and busy thoughts, agitated him strangely; he
stood as if transfixed, gazing on the mound of earth, without venturing
to pollute what seemed to him so sacred, even by an embrace.
He was roused from this trance by the sound of voices; one resembled
that of the dervise, and it was calling on Alla for succour: regardless
of personal risque (though unarmed,) Sebastian rushed into the valley,
and soon reached the spot whence these cries proceeded; an aged Moor
was struggling with a band of robbers; though not Abensallah, he could
not refrain from bursting upon the plunderers, and attacking them with
the limb of a tree, which, blown off by some storm, had lain luckily in
his path.
The blows of this unwieldy club, falling with inconceivable rapidity
on every side, soon obliged the robbers to quit their prey, and turn
on their new antagonist; they surrounded him, attacked him fiercely
with their horrid knives, and one of them, succeeding in stabbing him
behind, he dropped from loss of blood.
Enraged at the escape of their first victim, (a rich merchant, who
had been coming to ask the prayers of Abensallah,) the Alarbes, or
mountain dwellers, as they are called, were on the point of wholly
sacrificing the royal Portuguese to their vengeance, when a faint flash
of lightning cast a gleam over his breast, and discovered through the
folds of his coarse galebia, the costly setting of Donna Gonsalva’s
picture; the head of the band immediately seized this precious prize,
and soon lost in admiration of the diamonds all ideas of slaughter; he
now ordered _the Christian dog_ (as he scornfully termed his captive,)
to be lifted on a mule, directing one of the men to bandage his wound,
and ride on the same beast.
Public-domain text, read in full here on John Shaqi.
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