Detective and mystery stories; Drug traffic -- Fiction
“That’s that!” he said. “I’ve had no instructions about your
establishment, my friend, and as I’ve seen nothing improper going on
I’m making no charge, at the moment. I don’t want to know what sort of
show takes place on your platform, and I don’t want to know anything
about you that I don’t know already. You’re a Swiss subject and a dark
horse.”
He gathered up the cards from the table, glancing at them carelessly.
He did not expect to gain much from his possession of these names and
addresses. It was among the women that he counted upon finding patrons
of Kazmah and Company. But as he was about to drop the cards into his
overcoat pocket, one of them, which bore a written note, attracted his
attention.
At this card he stared like a man amazed; his face grew more and more
red, and:
“Hell!” he said—“Hell! which of ’em was it?”
The card contained the following:—
[Illustration]
CHAPTER XXVI.
THE MOODS OF MOLLIE
Early the following morning Margaret Halley called upon Mollie Gretna.
Mollie’s personality did not attract Margaret. The two had nothing in
common, but Margaret was well aware of the nature of the tie which had
bound Rita Irvin to this empty and decadent representative of English
aristocracy. Mollie Gretna was entitled to append the words “The
Honorable” to her name, but not only did she refrain from doing so but
she even preferred to be known as “Gretna”—the style of one of the
family estates.
This pseudonym she had adopted shortly after her divorce, when she had
attempted to take up a stage career. But although the experience had
proved disastrous, she had retained the _nom de guerre_, and during the
past four years had several times appeared at war charity
garden-parties as a classical dancer—to the great delight of the guests
and greater disgust of her family. Her maternal uncle, head of her
house, said to be the most blasé member of the British peerage and
known as “the noble tortoise,” was generally considered to have
pronounced the final verdict upon his golden-haired niece when he
declared “she is almost amusing.”
Mollie received her visitor with extravagant expressions of welcome.
“My dear Miss Halley,” she cried, “how perfectly sweet of you to come
to see me! of course, I can guess what you have called about. Look! I
have every paper published this morning in London! Every one! Oh! poor,
darling little Rita! What _can_ have become of her!”
Tears glistened upon her carefully made-up lashes, and so deep did her
grief seem to be that one would never have suspected that she had spent
the greater part of the night playing bridge at a “mixed” club in Dover
Street, and from thence had proceeded to a military “breakfast-dance.”
“It is indeed a ghastly tragedy,” said Margaret. “It seems incredible
that she cannot be traced.”
“Absolutely incredible!” declared Mollie, opening a large box of
cigarettes. “Will you have one, dear?”
“No, thanks. By the way, they are not from Buenos Ayres, I suppose?”
Public-domain text, read in full here on John Shaqi.
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