Beale, Dorothea, 1831-1906; Cheltenham Ladies' College -- History; Teachers -- England -- Biography
‘Lastly, I believe that putting myself forward in this way
would be a real hindrance to my work, as it would give a false
impression regarding the share I have been allowed to take in
helping on the growth of this College.
‘I thought of getting Miss Stirling, who models portraits, to
take one in clay, this would be executed in stone by Mr. Martyn
at small cost, and would answer all historical purposes. I have
a variety of photos, too.’
Later, she consented to give a few sittings to Mrs. Lea Merritt, for
whose work she had a great admiration. The approach of the College
Jubilee made a new moment for appealing to her again on this subject,
and at the Guild meeting of 1902 she was presented with the following
address, composed by Miss Amy Lumby and signed by a large number of old
pupils:—
‘DEAR MISS BEALE,—We, the undersigned, your “children,” once
in learning and always in affection, approach you with a very
earnest wish. There is not one amongst us who does not look
back with loving delight to the time when she saw your face
daily, and learnt from your lips what things were best worth
learning.
‘The face we can never forget, but we should like to be able
to have it constantly before us in such a form as shall call
up again the spirit of those happy bygone days. There exists
as yet no counterfeit presentment of our “School-mother”
which does this; only a great artist can accomplish the task
worthily; and so we beg, and beg most earnestly that, for our
sake and for the sake of those who come after us, you will
consent to let a portrait of yourself be painted by such an
one, and will accept it for the College in commemoration of the
Jubilee.’
Miss Beale was much touched by this appeal. She received it in eloquent
silence, but at the last gathering before the Guild members separated her
reply was read aloud by Miss Ker:—
‘I am touched by the kind wish of the Guild conveyed to me in
the resolution of yesterday. I am afraid a third attempt would
be no more successful than the preceding. The unbiassed artist
represents his subject as she is, not as she seems to be to
those who are good enough to overlook her defects, and love her
in spite of them. Still, if it is really wished that another
attempt should be made, I will willingly sit once more.’
Public-domain text, read in full here on John Shaqi.
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