Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
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Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
The hot color flooded her face and throat; she rose, turning upon him
her blazing eyes. "I was but waiting for this," she said, her words
rushing forth, one upon the other, with the unheeding rapidity of
passion. "I felt sure that it would come. With the deeply-rooted egotism
of a man you believe that I love you; you have believed it from the
beginning. It was because I knew this that I allowed this experiment of
yours to go on. I resisted the temptation at first, but it was too
strong for me; you yourself made it so. It was a chance to make you
conscious of your supreme error; a chance to have my revenge. And I
yielded. You said, not long ago, that I was even. I answered that one
was even when one was-- You said 'indifferent,' and I did not contradict
you. But the real sentence was that one was even when one was pursuing a
purpose. I have pursued a purpose. This was mine: to make you put into
words your egregious vanity, to make you stand convicted of your dense
and vast mistake. But towards the end a better impulse rose, and the
game did not seem worth the candle. I said to myself that I would go
away without giving you, after all, the chance to stultify yourself, the
chance to exhibit clearly your insufferable and amazing conceit. But you
insisted, and the impulse vanished; I allowed you to go on to the end. I
love you! _You!_"
He had risen also; they stood side by side under the statue of Diana;
some people had come into the amphitheatre below. He had turned slightly
pale as she uttered these bitter words, but he remained quite silent. He
still held his hat in his hand; his eyes were turned away.
"Have you nothing to say?" she asked, after some moments had passed.
"I think there is nothing," he answered, without turning.
Then again there was a silence.
"You probably wish to go," he said, breaking it; "do not let me detain
you." And he began to go down the steps, pausing, however, as the
descent was somewhat awkward, to give her his hand.
To the little Italian party below, looking at the Egyptian obelisk, he
seemed the picture of chivalry, as, with bared head, he assisted her
down; and as they passed the obelisk, these children of the country
looked upon them as two of the rich Americans, the lady dressed like a
picture, the gentleman distinguished, but both without a gesture or an
interest, and coldly silent and pale.
He did not accompany her home. "Shall I go with you?" he said, breaking
the silence as they reached the exit.
"No, thanks. Please call a carriage."
He signalled to a driver who was near, and assisted her into one of the
little rattling Florence phaetons.
"Good-bye," she said, when she was seated.
He lifted his hat. "Lung' Arno Nuovo," he said to the driver.
And the carriage rolled away.
* * * * *
Public-domain text, read in full here on John Shaqi.
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