Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
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Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
"Oh no; Peppino is nearly sixty. She is only twenty-five, though she
looks thirty. She is a widow, and she is thinking of taking another
husband before long. Have you noticed a young fellow working in the
vineyard just under your windows?"
"I have noticed some one loafing there."
"That's the man."
"Poor good-natured woman--he has imposed upon her; she will have to earn
his living as well as her own. As it happens, I have watched him, and a
lazier creature I never saw; he looks at the vines occasionally, and he
calls down jokes to the other men below; that is the extent of his
exertions. Come out for a walk."
"I don't walk after dinner."
"Come at least as far as the tower."
Thus adjured, Dennison rose. In spite of his own assertion, he was not
corpulent; he was a tall man whose outlines had grown large; but he was
muscular still. Gray also was tall. If Edward Gray had a hobby, it was
to show to the world that an American business-man can be as athletic as
an English fox-hunter or an ancient Greek; his face, which was thin and
deeply lined, did not come up to his ambition; but his erect figure,
wiry and elastic, was well-developed and strong.
As they passed through the house, now growing dim in the twilight, they
caught a glimpse of the waitress in the distance, seated in the kitchen,
knitting. On the table by her side two of the tall, slender Tuscan lamps
were burning, each with its three little wicks and its three brass
chains; in her lap two kittens were curled asleep. The light illumined
also a gaudy print on the wall, apparently a Madonna. Beneath the print
was a jug filled with flowers.
"Is that little piece of piety your cook's?" Gray asked, as they passed
out.
"No. The cook is a free-thinker. It's Modesta; she is overwhelmingly
devout. She has the whole house blessed at regular intervals--priest and
holy-water."
The outer door of Casa Colombina opens directly upon the small square or
piazza of Santa Lucia, a grassy space dotted with minute pink daisies.
One side of this square is bordered by a low wall. In the daytime this
wall's broad, flat top was adorned not infrequently by the recumbent
figure of one of Modesta's protégés, who, after enjoying her bounty, was
taking a siesta here, in the sunshine or the shade, according to the
season; sometimes it was Hannibal, with his nose on his paws; sometimes
it was the cat; very often it was a beggar or the idiot boy. To-night
the slab was empty, and, after a stroll of half an hour up the road and
back, Dennison and his visitor sat down here for a moment; it made an
excellent seat. It was now dark; the lights of Tre Ponti were twinkling
in the valley, the evening-star shone above the Tower of the Dove; the
soft air of the Italian May was filled with the fragrance of blossoms.
Suddenly on one of the mountains in the northern sky there appeared,
flashing out, a gleam. Then a blaze.
"Woods on fire up there," said Gray, who was accustomed to forest fires
at home.
Public-domain text, read in full here on John Shaqi.
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