Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
General
Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
They passed through the dark old hall below, where the white statue of
Necker gleams in solitude, and went up the broad stairway, the old
custodian preceding them, and throwing open the barred shutters of room
after room. The warm sunshine flowed in and streamed across the floors,
the dim tapestries, the spindle-legged, gilded furniture, and the
Cupid-decked clocks. The old paintings on the walls seemed to waken
slowly and survey them as they passed. Lorimer Percival seated himself
in a yellow arm-chair, and looked about with the air of a man who was
breathing a delicate aroma.
"This is the room where the 'incomparable Juliette' danced her
celebrated gavotte," he remarked, "probably to the music of that old
harpsichord--or is it a spinet?--in the corner."
"Pray tell us about it," entreated Sylvia, who had seated herself
gingerly on the edge of a small ottoman embroidered with pink
shepherdesses on a blue meadow, and rose-colored lambs. Mrs. Winthrop
meanwhile had appropriated a spindle-legged sofa, and was leaning back
against a tapestried Endymion.
Percival smiled, but did not refuse Sylvia's request. He had not the
objection which some men have to a monologue. It must be added, however,
that for that sort of thing he selected his audience. Upon this occasion
the outside element of John Ford, strolling about near the windows, was
discordant, but not enough so to affect the admiring appreciation of the
little group nearer his chair.
"Madame de Staël," he began, with his eyes on the cornice, "was a woman
of many and generous enthusiasms. She had long wished to behold the
grace of her lovely friend Madame Récamier, in her celebrated gavotte,
well known in the salons of Paris, but as yet unseen by the exile of
Coppet. By great good-fortune there happened to be in the village, upon
the occasion of a visit from Madame Récamier, a French dancing-master.
Madame de Staël sent for him, and the enchanted little man had the
signal honor of going through the dance with the beautiful Juliette, in
this room, in the presence of all the distinguished society of Coppet:
no doubt it was the glory of his life. When the dance was ended,
Corinne, carried away by admiration, embraced with transport--"
"The dancing-master?" said Cousin Walpole, much interested.
"No; her _ravissante amie_."
Cousin Walpole, conscious that he had made a mistake, betook himself to
the portrait near by. "Superb woman!" he murmured, contemplating it.
"Superb!"
The portrait represented the authoress of _Corinne_ standing, her
talented head crowned by a majestic aureole of yellow satin turban,
whose voluminous folds accounted probably for the scanty amount of
material left for the shoulders and arms.
"If I could have had the choice," said Miss Pitcher, pensively gazing at
this portrait, "I would rather have been that noble creature than any
one else on history's page."
Public-domain text, read in full here on John Shaqi.
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