Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
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Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
"You think John does not need my encouragement?" said the little lady,
looking at the laughers. "You think I forget how old he is? It is quite
true, no doubt. But I remember him so well, you know, in his little
white frock, with his dear little dimpled shoulders! He always would
have bread and sugar, whether it was good for him or not, and he was so
pretty and plump!"
These reminiscences provoked another peal.
"You may laugh," said Miss Pitcher, nodding her head sagely, "but he did
eat a great deal of sugar. Nothing else would content him but that bowl
on the high shelf."
"Do you still retain the same tastes, Mr. Ford?" said Katharine. "Do you
still prefer what is out of reach--_on a high shelf?_"
"When one is grown," said Ford, "there is very little that is absolutely
out of reach. It is, generally speaking, a question merely of
determination, and--a long arm."
The sun sank; his rays came slanting under their tree, gilding the grass
in bars. The conversation had taken a turn towards the society of the
eighteenth century. Percival said the most. But a poet may well talk in
a memorial garden, hushed and sunny, on a cushioned carpet under the
trees, with a long-stemmed wineglass near his hand, and fair ladies
listening in rapt attention. Ford, leaning back against his tree, was
smoking a cigarette; it is to be supposed that he was listening also.
"Here is something I read the other day, at least as nearly as I can
recall it," said the speaker. He was gazing at the tops of the trees on
the other side of the pond. He had a habit of fixing his eyes upon
something high above his hearers' heads when speaking. Men considered
this an impertinence; but women had been known to allude to it as
"dreamy."
"'Fair vanished ladies of the past,'" quoted the poet in his delightful
voice, "'so charming even in your errors, do you merit the judgment
which the more rigid customs of our modern age would pronounce upon you?
Was that enthusiasm for virtue and for lofty sentiments with which your
delicious old letters and memoirs, written in faded ink and flowing
language, with so much wit and so much bad spelling, are adorned--was it
all declamation merely, because, weighed in our severer balances, your
lives were not always in accordance with it? Are there not other
balances? And were you not, even in your errors, seeking at least an
ideal that was fair? Striving to replace by a sensibility most devoted
and tender a morality which, in the artificial society that surrounded
you, had become well-nigh impossible? Let us not forget how many of you,
when the dread hour came, faced with unfaltering courage the horrors of
the Revolution, sustained by your example the hearts of strong men which
had failed them, and atoned on the red guillotine for the errors and
follies of your whole generation with your delicate lives.'"
Public-domain text, read in full here on John Shaqi.
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