Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
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Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
"Yes, I did it as I took off my hat. And every time they seemed so
surprised."
"I've a new idea, Maso; behold it: the consul of your country!"
"Is there one in Leghorn?" asked Maso, vaguely.
"Of course there is; I have seen the sign many a time." And Luigi
mentioned the street and the number.
The proprietor of the shop, who was packing a case of the slender
Epiphany trumpets, now broke one by accident, and immediately scolded
Luigi in a loud voice; Maso was obliged to make a hasty departure.
The office of the representative of the United States government was
indicated by a painted shield bearing the insignia of the republic, and
a brass plate below, with the following notification: "Consolato degli
Stati-Uniti d'America." The first word of this inscription rouses
sometimes a vague thrill in the minds of homesick Americans in Italy
coming to pay a visit to their flag and the eagle. The thrill, however,
is immediately followed by a conviction that whatever the syllables may
mean (in an unintelligible land), they do not foreshadow, probably,
anything so solacing as they appear at first to indicate. Consolato--a
consoling-place; if it were indeed that, the bare room would soon be as
celebrated as is in Jerusalem the Wailing-place of the Jews. To Maso,
however, there was no double meaning. He glanced at the flag; then he
went up the stairs and knocked at the door.
As it happened, the consul himself was there alone. Maso, upon entering,
took off his hat and tried his smile, then he began: "If you please, I
am trying to get a place--something to do. I thought perhaps, sir, that
you might--"
He stopped, and in his embarrassment put the toe of his shoe into a hole
in the matting, and moved it about industriously.
"Don't spoil my matting," said the consul. "You're a very young boy to
be looking for a place."
"I'm going on fourteen."
"And of what nation are you?" demanded the consul, after another
survey.
"Why, I'm American," said Maso, surprised.
"I shouldn't have taken you for one. What is your name?"
"Maso--I mean Thom-as Ross Coe," replied the boy, bringing out the
syllables with something of an Italian pronunciation.
"Tummarse Errosco? Do you call that an American name?"
"I'll write it," said Maso, blushing. He wrote it in large letters on
the edge of a newspaper that was near him.
"Thomas R. Coe," read the consul. "Coe is your name, then?"
"Yes, sir."
"You want something to do, eh? What do you want, and why do you come
here for it?"
Maso told his story, or rather a tale which he had prepared on his way
to the consulate. It was a confused narrative, because he did not wish
to betray anything that could give a clew to his mother's address.
The consul asked questions. "A failure, eh? What failure?"
"It--it wasn't in Leghorn."
"And your mother will be back in September? Where is she at present?"
"She--she is north; she isn't very well, and--" But he could not think
of anything that he could safely add, so he stopped.
Public-domain text, read in full here on John Shaqi.
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