Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
General
Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
Maso was aware that accountants are not in the habit of running a scale
with the fingers of their left hand on the edge of their desks, or of
saying aloud, "six and three are nine," "seven and five are eleven," and
"nought's nought." He had caught these methods from his mother, who
always counted in that way. He clinched his fingers into his palm as he
went down the stairs; he would never count with them again. But no one
asked him to count, or to do anything else. In the afternoon he sought
the poorer streets; here he tried shop after shop. The atmosphere was
like that of a vapor bath; he felt tired and dull. At last, late in the
day, a cheese-seller gave him a hope of employment at the end of the
week. The wages were very small; still, it was something; and refreshed
by the thought, he went home (as he called it), released Mr. Tiber,
and, as the sun was low, took him off for a walk. By hazard he turned
towards the part of the town which is best known to travellers, that
outlying quarter where the small cathedral, the circular baptistery, and
the Leaning Tower keep each other company, folded in a protecting corner
of the crenellated city wall. The Arno was flowing slowly, as if tired
and hot, under its bridges; Pisa looked deserted; the pavements were
scorching under the feet.
As the boy came up the broad paved walk that leads to the cathedral, he
saw two ladies leaving the doorway at the base of the Leaning Tower;
evidently they had been making the ascent. They went across to the
baptistery to see the pulpit of Nicolo the Pisan. "Now they're going to
make the old shed howl," he said to himself. This was the disrespectful
way in which he thought of the famous echo.
At Pisa the atmosphere clothes the cathedral with a softness which no
Northern marbles can ever hope to attain. The façade, perfect in
proportion and beauty, rises with its columns and galleries from the
greensward, facing the sculptured baptistery; on the other side the
celebrated and fantastic tower for the bells stands, like a tree which
has been made to slant by the furious wind, looking across the plain
towards the sea.
Public-domain text, read in full here on John Shaqi.
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