Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
General
Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
Beatrice Lovell was an unusually lovely woman. The adjective is here
used to signify that she inspired love. Not by an effort, word, action,
or hardly interest of her own; but simply because she was what she was.
Her beauty was not what is called striking; it touched the eye gently at
first, but always grew. People who liked to analyze said that the secret
lay in the fact that she had the sweetness, the tints, the surface
texture as it were, and even sometimes the expression, of childhood
still; and then, when you came to look deeper, you found underneath all
the richer bloom of the woman. Her golden hair, not thick or long, but
growing in little soft wavelets upon her small head; her delicate
rose-leaf skin, showing the blue veins; her little teeth and the shape
of her sweet mouth--all these were like childhood. In addition, she was
dimpled and round, with delicately cut features, and long-lashed violet
eyes, in whose soft depths lay always an expression of gentle trust.
This beautiful creature was robed to-day in widow's mourning-garb made
in the severest fashion, without one attempt to decorate or lighten it.
But the straight-skirted, untrimmed garments, the little close bonnet,
and the heavy veil pinned over it with straight crape-pins, only brought
out more vividly the tints of her beauty.
"No," she continued, as her companion did not speak, "I by no means wish
for the feelings you invoke for me. I am better off as I am; I keep my
self-possession. For instance, I told this Sicily person that it was in
very bad taste to speak to me in that way at such a time--so soon after
Mr. Lovell's death; and that I was much annoyed by it."
"It has not prevented his writing," said Margaret, coming back slowly
from the Carrara mountains, and letting her eyes rest upon the tower of
the Palazzo Vecchio below, springing above the city roofs like the stem
of a flower.
"They always write, I think," said Mrs. Lovell, simply.
"I know they do--to _you_," said Margaret. She turned as she spoke, and
looked at her friend with the same old affection and admiration which
she had felt for her from childhood, but now with a sort of speculative
curiosity added. How must it feel to live such a life--to be constantly
surrounded and accompanied by an atmosphere of devotion and enthralment
such as that letter had expressed? Beatrice seemed to divine something
of her friend's thought, and answered it after her fashion.
"It is such a comfort to be with you, Margaret," she said,
affectionately; "it has always been a comfort, ever since we were
children. I can talk freely to you, and as I can talk to no one else.
You understand; you do not misunderstand. But all the other women I meet
invariably do; or, at least, pretend to enough to excuse their being
horribly disagreeable."
Public-domain text, read in full here on John Shaqi.
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