Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
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Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
The next day she was attacked by a severe illness--severe, although
short. No one could tell what was the matter with her; even the
physician was at fault. She did not eat or sleep, she seemed hardly to
know what they said when they spoke to her. Her aunt was alarmed. But at
the end of the week, as suddenly as she had fallen ill, she came back to
life again, rose, ordered the maid to braid her hair, and appeared at
Miss Harrison's lonely little dinner-table quite herself, save that she
was tremulous and pale. But by the next day even these signs were no
longer very apparent. It was decided that she had had an attack of
"nervous prostration;" "although why in the world you should have been
seized by it just now, and here, I am at a loss, Margaret, to imagine,"
said her aunt.
On the day of her reappearance at the dinner-table there came a letter
from Beatrice which bore the postmark of a village on one of the Channel
islands. Mrs. Lovell had changed her plans, and gone yachting for a
month or two with a party of friends, a yacht probably being considered
to possess attributes of seclusion more total than even the most
soundless village on the Brittany shore. Of course she had not received
Margaret's letter, nor could she receive one--their route being
uncertain, but nevertheless to the southward--until her return.
Communication between them for the present was therefore at an end.
On the afternoon after Margaret's reappearance Madame Ferri was making a
visit of congratulation upon the recovery of "our dear girl." It was a
cool day, a heavy rain had fallen, and fresh snow gleamed on the summits
of the Apennines; our dear girl, very unresponsive and silent, was
dressed in black velvet, whose rich, plain folds brought out her
slenderness, and made more apparent than usual the graceful shape of her
head and hair. But the unrelieved black made her look extremely pale,
and it was her recent illness, probably, which made her look also tired
and languid. Madame Ferri, who kept constantly in practice her talent
for being charming (she was always spoken of as "charming"), looked at
her for a time while conversing; then she rose, took all the crimson
roses from a vase, and, going to her, placed one in her hair,
meditatively; another in a button-hole of the closely fitting high
corsage; and, after a moment's reflection, all the others in a bunch in
a velvet loop which was on the side of the skirt not quite half-way
down, rapidly denuding herself of pins for the purpose as she proceeded.
"There!" she said, stepping back a few paces to survey her handiwork,
with her head critically on one side, "_now_ you are a picture. Look,
dear Miss Harrison, pray look."
Miss Harrison put up her glass and approved. And then, while this climax
still lasted, Madame Ferri took her departure; she liked to depart in a
climax.
Public-domain text, read in full here on John Shaqi.
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