Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
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Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
"Good!" he thought. "What next?" But although he thought, he of course
was obliged to talk also, and so he began about the two art masters he
had mentioned. He delivered quite an epic upon Giotto's two little
frescos in the second cloister of Santa Maria Novella, and he openly
preferred the third there--the little Virgin going up the impossible
steps--to Titian's splendid picture of the same subject, in Venice. He
grew didactic and mystic over the round Botticelli of the Uffizi and the
one in the Prometheus room at the Pitti; he invented as he went along,
and amused himself not a little with his own unusual flow of language.
His companion listened, and now and then asked a question. But her
questions were directed more towards what he thought of the pictures
(after a while he noticed this), and what impressions they made upon
him, than to the pictures themselves or their claims to celebrity. As
he went on he made some slight attempts to diverge a little from the
subject in hand, and skirt, if ever so slightly, the borders of
flirtation; he was curious to see if she would follow him there. But she
remained unresponsive; and, while giving no sign of even perceiving his
digressions, she brought him back to his art atmosphere, each time he
left it, with a question or remark very well adapted for the purpose; so
well, indeed, that it could not have been by chance.
She declined his escort homeward, pretexting a visit she wished to pay;
but she said, of her own accord, that she would sing for him the next
time he came. He knew this was a favor she did not often grant; Madame
Ferri had so informed him.
He went, without much delay; and she sang several songs in the dusky
corner where her piano stood while he sat near. The light from the wax
candles at the other end of the large room, where Miss Harrison was
knitting, did not penetrate here; but she said she liked to sing in a
semi-darkness, as she had only a twilight voice. It was in truth not at
all powerful; but it was sweet and low, and she sang with much
expression. Trafford Morgan liked music; it was not necessary to make up
a conviction or theory about that; he simply had a natural love for it,
and he came more than once to hear Miss Stowe sing.
Public-domain text, read in full here on John Shaqi.
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