Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
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Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
"I did not know that women cared much for it," he answered. Then, after
a moment, "Do not be too severe upon me," he added; "I am doing my
best."
She made no reply.
"I thought certainly you would have answered, 'By contrast?'" he said,
smiling. "But you are not so satirical as you were. I cannot make you
angry with me."
"Have you tried?"
"Of course I have tried. It would be a step gained to move you--even in
that way."
"I thought your experiment was to be all on one side?" she said. They
were sitting in a shady corner of the cloisters of San Marco; she was
leaning back in her chair, following with the point of her parasol the
lines of the Latin inscription on the slab at her feet over an old
monk's last resting-place.
"I am not so consistent as I should be," he answered, rising and
sauntering off, with his hands in the pockets of his short morning-coat,
to look at St. Peter the Martyr.
At another time they were in the Michael Angelo chapel of San Lorenzo.
It was past the hour for closing, but Morgan had bribed the custode to
allow them to remain, and the old man had closed the door and gone away,
leaving them alone with the wondrous marbles.
"What do they mean?" he said. "Tell me."
"They mean fate, our sad human fate: the beautiful Dawn in all the pain
of waking; the stern determination of the Day; the recognition of
failure in Evening; and the lassitude of dreary, hopeless sleep in
Night. It is one way of looking at life."
"But not your way?"
"Oh, I have no way; I am too limited. But genius takes a broader view,
and genius, I suppose, must always be sad. People with that endowment, I
have noticed, are almost always very unhappy."
He was sitting beside her, and, as she spoke, he saw a little flush rise
in her cheeks; she was remembering when Mrs. Lovell had used the same
words, although in another connection.
"We have never spoken directly, or at any length, of Beatrice," she
said, suddenly. "I wish you would tell me about her."
"Here?"
"Yes, here and now; Lorenzo shall be your judge."
"I am not afraid of Lorenzo. He is not a god; on the contrary, he has
all our deepest humanity on his musing face; it is for this reason that
he impresses us so powerfully. As it is the first time you have
expressed any wish, Miss Stowe, I suppose I must obey it."
"Will it be difficult?"
"It is always difficult, is it not, for a man to speak of an unhappy
love?" he said, leaning his elbow on the back of the seat, and shading
his eyes with his hand as he looked at her.
"I will excuse you."
"I have not asked to be excused. I first met Mrs. Lovell in Sicily. I
was with her almost constantly during five weeks. She is as lovable as a
rose--as a peach--as a child." He paused.
"Your comparisons are rather remarkable," said Miss Stowe, her eyes
resting upon the grand massiveness of Day.
Public-domain text, read in full here on John Shaqi.
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