Dorothy Harcourt's secret : $b Sequel to "A deed without a name"Southworth, Emma Dorothy Eliza Nevitte
General
Dorothy Harcourt's secret : $b Sequel to "A deed without a name"
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
“I must make haste and git rid on her afore she comes to, and then she
won’t give no trouble to nobody. Lor’, ’ow lucky she swooned hoff in
this here way! Lor’, to think as ’ow I have been ’elped this day in this
onexpected manner! First, I comes upon this here fine bird, with fine
feathers, lost into the streets, and with waluable jewelry onto her
neck, and a waluable bundle into her hand—and where is that bundle, by
the same token? ’Opes it never dropped on the stairs. No! Lor’, there it
is, hanging onto Fine Feathers’ arm still. Never dropped hoff when she
fainted, and I picked her up! Oh! w’at luck this is! And to find the
fortin in the street! And to bring her here! And jest as I were
a-thinking how on airth I could get the clothes offen her back ’thout
her raising the whole alley, she jest faints away like a angel, so quiet
and comfortable! It do seem like a providence, it do, indeed it do! I
wonder what’s in that bundle? But I ain’t got time to look now. Lor’,
no. I must get Fine Feathers outen this afore she comes to, or there’ll
be trouble. Lor’, yes,” concluded the crone, as she hastily drew Owlet’s
bundle off her arm and hid it far under the pile of rags.
She need not have been in such haste. The swooning child was not likely
to recover in that deadly room. She was much more likely to die as
people die in the fumes of escaping gas or burning charcoal in an
airtight place.
The ragpicker sat down flat upon the floor, and drew the unconscious
child gently across her lap, and proceeded to divest her of her costly
trinkets and rich clothing, all of which she made into a bundle and
thrust it far under the pile of rags.
Then she looked at the beautiful, nude statue of a child that lay upon
the floor, and considered:
“’Twon’t do to take her out that-a-way. But w’at shall I put onto her?
Not a child’s garment in all that pile. Oh! I know,” she suddenly
mumbled. “I roll her in my shawl. I can get another one to-morrow outen
the fortin I have come inter. Them there jew’ls and frock and things’ll
fetch a pile, I know.”
Saying this, she took off her own ragged shawl, laid it over her knees,
drew the nude and senseless form of the child upon it, and rolled her up
in it, securing it here and there by scraps of strings drawn from the
pile, and run through the holes of the wrap.
“That’ll do,” she said, as she took little Owlet in her arms, laid her
head over her shoulder and left the room, on this occasion taking the
precaution to lock the door and put the key in her bosom.
Public-domain text, read in full here on John Shaqi.
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