Dorothy Harcourt's secret : $b Sequel to "A deed without a name"Southworth, Emma Dorothy Eliza Nevitte
General
Dorothy Harcourt's secret : $b Sequel to "A deed without a name"
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
Kit laughed, replaced the pipe in her mouth, and moved aside.
The ragpicker passed out to the alley with Owlet in her arms, the
child’s head over the woman’s shoulder.
The crone would have been made anxious by the child’s long swoon, but
that she felt the gentle motion of the little one’s lungs against her
own breast.
She walked down to the end of the alley, and turned the corner into a
crowded street leading down to the East River.
The fresh night breeze from the sea began to revive the fainting child,
who moved and sighed.
“There, there, dearie, it’s all right. Don’t be afeared, my pretty
little Lady Fine Feathers. It’s only me toting of you home to your dear
Lady. Yes, dearie,” whispered the thief.
The exhausted child, scarcely cognizant of herself—not at all of her
surroundings—heaved a deep sigh of weariness, and subsided into
quietness.
The ragpicker walked on, watching her opportunity to drop and leave the
child when she could feel sure of doing so without being observed.
She met and passed, jostled and was jostled by many foot passengers on
the sidewalks, and she saw and was seen by several policemen, any one of
whom would have stopped and “run her in” had he had the slightest
suspicion of the crime she was committing. But the sight of a ragged
woman with a ragged child in her arms was a sight too common to draw
remark, much less to excite suspicion.
The ragpicker, however, soon left the more crowded and busier street,
and turned into a less frequented and quieter one.
She knew all the mazes in the labyrinth of that quarter, and she turned
and wound among them like the crawling serpent that might have been her
type.
At length she found what she had been seeking from the time she had set
out on her walk with the child in her arms—a narrow, quiet street that
seemed at this hour to be deserted of all pedestrian life. Lights
gleamed from the windows of the tall tenements on either side; but no
one seemed to be abroad.
Here she looked up and down the street, and then sat down on a cellar
door, against the front wall of one of the tallest houses, shifted the
position of the child from her shoulder to her knees, and took another
survey of her surroundings.
One solitary pedestrian came down the same sidewalk where she sat with
the child on the cellar door, and passed by within two feet of her
without perceiving her in the deep shadows.
When he was gone the thoroughfare was vacant. The stage was waiting, so
to speak.
The old wretch seized the opportunity. She raised the sleeping child and
stood up, looked about, and prepared to lay her under the steps of the
front stoop beside the cellar door, when, to her confusion, Owlet moved,
awoke, lifted her head and inquired:
“Are we almost there?”
Public-domain text, read in full here on John Shaqi.
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