Dorothy Harcourt's secret : $b Sequel to "A deed without a name"Southworth, Emma Dorothy Eliza Nevitte
General
Dorothy Harcourt's secret : $b Sequel to "A deed without a name"
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
“My dear,” said the old parson, with an odd smile, “‘the days of the
years of my pilgrimage on earth’ are seventy-seven years and five
months, and during this long experience I have learned that all women
are not lambs, nor all men lions. I have known one or two mistresses of
plantations so cruel and tyrannical that the lives of their slaves were
hells upon earth; and, on the other hand, I have known one or two
masters who ruled entirely through conscience and affection; and one or
two other people of each sex who were utterly incapable of ruling in any
manner.”
“These were exceptions, and the exception proves the rule, it is said. I
know that women have more patience with children than men have, and
these young colored men and girls, whose docility you doubt, are, in
their ignorance, no more than children. Oh, Dr. Shaw, don’t you know
that all the little children of our Lord are not under three feet tall?
Some of them are over six. But there is another reason why I prefer to
engage women for the school. There are so few fields of labor free to
women, while there is such a vast area open to men.”
No doubt the old minister had an overwhelming argument against this last
“reason” in the fact that, as a rule, women were not required to work in
any field of labor, but only in the lovely garden of home, cultivating
the flowers of the nursery and the fruits of the dining-room, with a
prospect of a harvest of domestic happiness, while the men worked for
them in these outlying fields; but before he could utter his thought
they were interrupted.
Pontius Pilate ambled up to the house on his fat white cob, dismounted,
and brought the mail bag to his mistress, pulled his front hair by way
of obeisance, and then remounted his horse and rode away to the stable.
Roma unlocked and emptied the bag.
There were several papers and magazines, but only one letter. She
offered the papers to her visitor, who gladly received and unfolded
them. Then she took her letter. She recognized it at once—not by the
handwriting—there was no handwriting—it was written by a typewriter,
perhaps so that it might never be brought in evidence against its
author, though Roma could not conjecture why that author thought it
necessary to take such a precaution.
Her first impulse was to tear it up and throw it away unread, but
anxiety to hear from her loved and lost little Owlet prevailed over her
disgust, and she opened and read it.
It was a long, eloquent, impassioned appeal, which we will not inflict
upon our readers. It ended in this wild sentence:
“The child is dying—breaking her heart for you! I am losing my
reason—going mad for you! Oh, Roma Fronde! what man ever worked, dared
and suffered for woman’s love as I have done for yours? Send me a line;
say that I may come to you and bring the child, and save us both from
death, and me from hell!”
Roma read the letter and passed it over to Dr. Shaw.
He took it, read it, and said:
Public-domain text, read in full here on John Shaqi.
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