Dorothy Harcourt's secret : $b Sequel to "A deed without a name"Southworth, Emma Dorothy Eliza Nevitte
General
Dorothy Harcourt's secret : $b Sequel to "A deed without a name"
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
“Sartin, young marse; dat is true. An’ ’deed, dey’s all been moughty
good to de ole madam—Lor’ knows dey has—moughty good,” said Martha, as
she wrapped her tall figure in a large black shawl and put a quilted
black silk hood on her head, for the walk with the young master. They
left the cabin together, Martha just closing the door, which had neither
lock nor bolt, only a light latch to keep it shut in windy weather, for
there were no thieves on this old plantation, and the cabin was remote
from thoroughfares.
Up the little, narrow, almost invisible footpath over the wooded hill
they went until they came in view of Lone Lodge, a large, rambling,
picturesque old farmhouse, built partly of gray stone, partly of red
bricks, and partly of wood. It consisted of three distinct houses, the
growth of generations, and was joined together after a fashion, or
rather after no fashion at all. The oldest and rudest part of the
building was also the strongest and quaintest; but the later structures
were in a good state of preservation. There were broad piazzas front and
back, both roofed over, and there were porticoes, balconies and bay
windows stuck on here and there, up and down the wall at each gable end.
The roofs of the buildings were of different heights and shapes—the old
colonial house had a high, peaked roof, with dormer windows; the middle
edifice, built just after the close of the Revolutionary War, had a hip
roof, with two rows of tiny windows; while the third building had a
Mansard, with its beautiful lights and trimmings.
Opening on the front piazza there were three doors, leading into the
three divisions of the triune house.
Harcourt went up to the central door and knocked, while Martha scuttled
around to the rear to warn her mistress of her son’s near presence.
After some little delay the door was opened by Margaret Wynthrop.
“Oh! Mr. Harcourt! How do you do? I am very glad to see you! Mrs.
Harcourt will be overjoyed,” she said cordially.
“I am here to thank you for your great goodness to my dear mother,
though mere thanks, however earnest and heartfelt, are but a poor return
for such goodness,” said the young man, with much emotion.
“Oh, indeed!” earnestly responded the girl, “it has been a real
satisfaction to us all to be permitted to alleviate in some degree the
troubles of this lady. But pray come in.”
He followed into the old familiar hall, with its broad horsehair sofa
and straight-backed chairs and frescoed pictures above them, with its
oaken doors on either side, and its well-worn staircase in the center.
“There is no fire in the big parlor. Come in here,” she said, and she
opened a door on the left leading into the family sitting-room, where
Mrs. Wynthrop and her second daughter, Elizabeth, were seated at work.
The elder lady was cutting and basting on a lapboard. The younger one
was thumping away at a sewing machine.
Both arose and left their seats to welcome the visitor.
Public-domain text, read in full here on John Shaqi.
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