have helped it. The only limitation to your ability that I ever discovered is your utter inability to tell lies. If you tried to do that you’d make such a wretched failure of the attempt that the truth would come out in spite of you. So, of course, you are as ignorant as I am about my mother. “But I wanted to tell you about Madame Le Sud. To me she is the most beautiful woman in the world, and yet most people would call her hideously ugly. Indeed, I’ve heard people on the ship call her that way, for they’re beginning at last to come out on deck and try to get well. She has a terribly disfiguring scar. It begins in her hair and extends down over her left eye which it has put out, and down her cheek by the side of her nose, almost, but not quite to her upper lip. The scar is very ugly, of course, but the woman is altogether beautiful. She impresses me as wonderfully fine and fragile--delicate in the same way that a piece of old Sèvres china is. She plays the violin divinely. She wouldn’t play for me at first, and she has since confessed that she feared to make me afraid to play for her. ‘For I am a professional musician,’ she said, ‘or rather I was, till I got this disfiguring scar. After that how could I present myself to an audience?’ Then she told me how she got the scar. She was celebrating something or other with a company of friends. They drank champagne too freely, and one of them, taking from Madame Le Sud’s mantelpiece a perfume bottle, playfully emptied its contents on her head. It was a perfume bottle, but it held nitric acid which somebody had been using medicinally. In an instant the mischief was done and Madame Le Sud’s career as a famous musician was ended forever. “When she got well she was very poor, having spent all her money during her illness. A manager came to her and wanted her to go on as ‘the veiled violinist,’ he pretending that she was some woman of distinguished family and high social position whose love of music tempted her to exercise her skill upon the stage, but whose social position forbade her to show her face or reveal her name. He offered her large sums if she would do this, but she refused to make herself a party to such a deception. She secured employment, as she puts it, in a much humbler capacity which enables her to turn her artistic taste to account in earning a living, and it is in connection with this employment that she is now on her way to Paris. She did not tell me what her employment is, and of course I did not ask her. But now that I have learned something of her misfortunes, and have seen how bravely she bears them, I love her better than ever.