Dorothy South: A Love Story of Virginia Just Before the WarEggleston, George Cary
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Dorothy South: A Love Story of Virginia Just Before the War
Eggleston, George Cary
Love stories; Virginia -- Fiction
“‘You were crowing with glee at the lights and the great, flaring fire.
Everybody in the room wanted to caress you, but I peremptorily ordered
them off, and took you for a time into my own arms. At last, when the
lights were turned down at my command, and the firelight hidden behind a
screen, I took the violin--a rare old instrument for which your father
had paid a king’s ransom--and began to play. After the prelude had been
twice played, I began to sing. Never in my life had I been so
overwhelmingly conscious of you--so completely unconscious of everybody
else in the world. I played and sang only to my child. All other human
beings were nonexistent. I played with a perfection of which I had never
for a moment thought myself capable. I sang with a tenderness which I
could never have commanded had I been conscious for the time of any
other existence than your own. In that music my soul laid itself bare to
yours and prayed for your love. I told you in every tone all that a
mother love means--all that an intensely emotional woman is capable of
feeling; I gave free rein to all there was in me of passion, and made
all of it your own. I was in an ecstasy. I was entranced. My soul was
transfigured and all was wrought into the music.
“‘In the midst of it all someone whispered a cold blooded, heartlessly
appreciative comment upon my playing, or the music, or my voice, or the
execution, or something else--it matters not what. It was the sort of
thing that people say for politeness’ sake when some screeching girl
sings “Hear Me, Norma.” It wakened me instantly from my trance. It
brought me back to myself. It revealed to me how completely I had been
wasting the sacred things of my soul upon a company of Philistines. It
filled me with a wrath that considered not consequences. I ceased to
play. I seized the precious violin by its neck--worn smooth by the touch
of artist hands--and dashed it to pieces over the piano. Then I snatched
my baby from the cradle and retreated to your nursery, where I double
locked the door, and refused to admit anybody but mammy, whose affection
for you I felt, had been wounded as sorely as my own. I sent your father
word that I would pass the night in the nursery, and at daylight I left
home forever, taking you and mammy with me in the carriage.
“‘I had taken pains to learn that your father had been summoned that
night, on an emergency call, to the bedside of a patient, ten miles
away. This gave me my opportunity. With you in my arms and mammy by my
side, I drove to Richmond, and sending the carriage back, I drew what
money there was to my credit in the bank, and took the steamer sailing
that day for New York. All this was seventeen years ago, remember, when
there were no railroads of importance, and no quicker way of going from
Richmond to New York than by the infrequently sailing steamers. It was
in the early forties.
Public-domain text, read in full here on John Shaqi.
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