Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction; Haddon Hall (England) -- Fiction; Historical fiction
The tapestries of Haddon Hall are among the most beautiful in England, and
the picture upon which the sun's rays fell was that of a lover kneeling at
the feet of his mistress. Madge and I passed and repassed the illumined
scene, and while it was softly fading into shadow a great flood of tender
love for the girl whose soft hand I held swept over my heart. It was the
noblest motive I had ever felt.
Moved by an impulse I could not resist, I stopped in our walk, and falling
to my knee pressed her hand ardently to my lips. Madge did not withdraw
her hand, nor did she attempt to raise me. She stood in passive silence.
The sun's rays had risen as the sun had sunk, and the light was falling
like a holy radiance from the gates of paradise upon the girl's head. I
looked upward, and never in my eyes had woman's face appeared so fair and
saintlike. She seemed to see me and to feel the silent outpouring of my
affection. I rose to my feet, and clasping both her hands spoke only her
name "Madge."
She answered simply, "Malcolm, is it possible?" And her face, illumined by
the sunlight and by the love-god, told me all else. Then I gently took her
to my arms and kissed her lips again and again and again, and Madge by no
sign nor gesture said me nay. She breathed a happy sigh, her head fell
upon my breast, and all else of good that the world could offer compared
with her was dross to me.
We again took our places by the window, since now I might hold her hand
without an excuse. By the window we sat, speaking little, through the
happiest hour of my I life. How dearly do I love to write about it, and to
lave my soul in the sweet aromatic essence of its memory. But my
rhapsodies must have an end.
When Dorothy left me with Madge at the window she entered her bedroom and
quickly arrayed herself in garments which were facsimiles of those I had
lent her. Then she put her feet into my boots and donned my hat and cloak.
She drew my gauntleted gloves over her hands, buckled my sword to her slim
waist, pulled down the broad rim of my soft beaver hat over her face, and
turned up the collar of my cloak. Then she adjusted about her chin and
upper lip a black chin beard and moustachio, which she had in some manner
contrived to make, and, in short, prepared to enact the role of Malcolm
Vernon before her watchful gaoler, Aunt Dorothy.
Public-domain text, read in full here on John Shaqi.
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