Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction; Haddon Hall (England) -- Fiction; Historical fiction
clouds, else that ride over the sheep path by the cliff would have been
our last journey in the flesh.
Soon we reached the main road turning southward. It was a series of rough
rocks and mudholes, and Dorothy and Dolcy shot forward upon it with the
speed of the tempest, to undo, if possible, the evil which a dozen words,
untimely spoken, had wrought. I urged my horse until his head was close by
Dolcy's tail, and ever and anon could I hear the whispered cry,--"On,
Dolcy, on; on, Dolcy, sweet Dolcy, good Dolcy; on, my pet, on."
No word was spoken between Dorothy and me; but I could hear Dolcy panting
with her mighty effort, and amid the noise of splashing water and the
thud, thud, thud of our horses' hoofs came always back to me from
Dorothy's lips the sad, sad cry, full of agony and longing,--"On, Dolcy,
on; on Dolcy, on."
The road we took led us over steep hills and down through dark,
shadow-crowded ravines; but up hill, down hill, and on the level the
terrible girl before me plunged forward with unabated headlong fury until
I thought surely the flesh of horse, man, and woman could endure the
strain not one moment longer. But the horses, the woman, and--though I say
it who should not--the man were of God's best handiwork, and the cords of
our lives did not snap. One thought, and only one, held possession of the
girl, and the matter of her own life or death had no place in her mind.
When we reached the cross-road where I was to leave her, we halted while I
instructed Dorothy concerning the road she should follow from that point
to Rutland, and directed her how to proceed when she should arrive at the
castle gate. She eagerly listened for a moment or two, then grew
impatient, and told me to hasten in my speech, since there was no time to
lose. Then she fearlessly dashed away alone into the black night; and as I
watched her fair form fade into the shadows, the haunting cry came faintly
back to me,--"On, Dolcy, on; on, Dolcy on," and I was sick at heart. I was
loath to leave her thus in the inky gloom. The moon had sunk for the
night, and the clouds had banked up without a rift against the hidden
stars; but I could give her no further help, and my life would pay the
forfeit should I accompany her. She had brought the evil upon herself. She
was the iron, the seed, the cloud, and the rain. She was fulfilling her
destiny. She was doing that which she must do: nothing more, nothing less.
She was filling her little niche in the universal moment. She was a part
of the infinite kaleidoscope--a fate-charged, fate-moved, fragile piece of
glass which might be crushed to atoms in the twinkling of an eye, in the
sounding of a trump.
Public-domain text, read in full here on John Shaqi.
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