Florida -- Fiction; Immortalism -- Fiction; Science fiction; Walt Disney World (Fla.) -- Fiction
I packed three changes of clothes and a toothbrush in my shoulderbag and
checked out of my suite at the Polynesian at ten a.m., then met Jeanine
and Dan at the valet parking out front. Dan had a runabout he'd picked
up with my Whuffie, and I piled in with Jeanine in the middle. We played
old Beatles tunes on the stereo all the long way to Cape Canaveral. Our
shuttle lifted at noon.
The shuttle docked four hours later, but by the time we'd been through
decontam and orientation, it was suppertime. Dan, nearly as Whuffie-poor
as Debra after his confession, nevertheless treated us to a meal in the
big bubble, squeeze-tubes of heady booze and steaky paste, and we
watched the universe get colder for a while.
There were a couple guys jamming, tethered to a guitar and a set of
tubs, and they weren't half bad.
Jeanine was uncomfortable hanging there naked. She'd gone to space with
her folks after Dan had left the mountain, but it was in a long-haul
generation ship. She'd abandoned it after a year or two and deadheaded
back to Earth in a support-pod. She'd get used to life in space after a
while. Or she wouldn't.
"Well," Dan said.
"Yup," I said, aping his laconic drawl. He smiled.
"It's that time," he said.
Spheres of saline tears formed in Jeanine's eyes, and I brushed them
away, setting them adrift in the bubble. I'd developed some real tender,
brother-sister type feelings for her since I'd watched her saucer-eye
her way through the Magic Kingdom. No romance -- not for me, thanks! But
camaraderie and a sense of responsibility.
"See you in ten to the hundred," Dan said, and headed to the airlock. I
started after him, but Jeanine caught my hand.
"He hates long good-byes," she said.
"I know," I said, and watched him go.
#
The universe gets older. So do I. So does my backup, sitting in
redundant distributed storage dirtside, ready for the day that space or
age or stupidity kills me. It recedes with the years, and I write out my
life longhand, a letter to the me that I'll be when it's restored into a
clone somewhere, somewhen. It's important that whoever I am then knows
about this year, and it's going to take a lot of tries for me to get it
right.
In the meantime, I'm working on another symphony, one with a little bit
of "Grim Grinning Ghosts," and a nod to "It's a Small World After All,"
and especially "There's a Great Big Beautiful Tomorrow."
Jeanine says it's pretty good, but what does she know? She's barely
fifty.
We've both got a lot of living to do before we know what's what.
--
================= Acknowledgements: =================
I could never have written this book without the personal support of my
friends and family, especially Roz Doctorow, Gord Doctorow and Neil
Doctorow, Amanda Foubister, Steve Samenski, Pat York, Grad Conn, John
Henson, John Rose, the writers at the Cecil Street Irregulars and Mark
Frauenfelder.
Public-domain text, read in full here on John Shaqi.
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