Down the YellowstoneFreeman, Lewis R. (Lewis Ransome)
General
Down the Yellowstone
Freeman, Lewis R. (Lewis Ransome)
Yellowstone River
Pete Nelson, Sheriff of my former visit and now State Game
Warden, called for me at the hotel and together we strolled
down the old main street to the river. We had dubbed it
"The-Street-That-is-Called-Straight." Just why I fail to remember, but
probably some of us wanted to show his biblical learning. Riley, the
Keeley-ed catcher, confessed it never had looked straight to him, and
there were times--especially late on the nights we had won games--that I
had doubts on that score myself. But if there had been crooks in or upon
it in the old days, time had ironed them out. I especially called
Nelson's attention to the Northern Pacific station at one end of the
vista, the nodding cottonwoods at the other, and the glaring new
concrete pavement, stretching straight as a white ribbon, connecting
them up.
Pete Nelson sadly called my attention to the manner in which all the gay
old palaces of carousal had been converted, and said he reckoned that
perhaps every one that had patronized them had undergone the same
change. I was also sad, but less optimistic than Pete respecting the
increasing purpose of the ages. As we leaned on the rail of the river
bridge and gazed at the swift green current I tried to recall those
lines of Stevenson's which began:
"Sing me a song of a boy that is gone--
Ah, could that lad be I!"
and which conclude:
"All that was good, all that was fair,
All that was me is gone."
I couldn't remember the part that I craved, and so fell back on:
"Tears, idle tears, I know not what they mean,
Tears from the depths of some divine despair
Rise in the heart and gather to the eyes,
In looking on the happy Autumn-fields,
And thinking of the days that are no more."
That didn't quite do, either, for Tennyson was gazing on fading fields
and thinking of Autumn, and I was gazing on budding cottonwoods and
thinking of Spring--Spring! And yet it was a Spring that was gone.
"Pete," I said moodily, turning a gloomy eye to the seaward-rushing
flood, "there's a lot of water gone under this bridge never to return,
since you and I stood here last." The ex-Sheriff nodded in dreary
acquiescence. "And, boy," he remarked with the weariness of the ages in
his voice as he rubbed a finger up and down the bridge of a blue, cold
nose that I remembered as having once glowed with all the hues of a
sunset over the colour-splashed gorge of the Grand Canyon of the
Yellowstone; "boy, water ain't the only thing that's gone never to
return."
Public-domain text, read in full here on John Shaqi.
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