The history of this tragedy's composition is interesting, as affording
dates to distinguish Johnson's literary progress. It was begun, and
considerably advanced, while he kept a school at Edial, near Lichfield,
in 1736. In the following year, when he relinquished the task of a
schoolmaster, so little congenial with his mind and disposition, and
resolved to seek his fortunes in the metropolis, Irene was carried along
with him as a foundation for his success. Mr. Walmsley, one of his early
friends, recommended him, and his fellow-adventurer, Garrick, to the
notice and protection of Colson, the mathematician. Unless Mrs. Piozzi
is correct, in rescuing the character of Colson from any identity with
that of Gelidus, in the Rambler[a], Johnson entertained no lively
recollection of his first patron's kindness. He was ever warm in
expressions of gratitude for favours, conferred on him in his season of
want and obscurity; and from his deep silence here, we may conclude,
that the recluse mathematician did not evince much sympathy with the
distresses of the young candidate for dramatic fame. Be this, however,
as it may, Johnson, shortly after this introduction, took lodgings at
Greenwich, to proceed with his Irene in quiet and retirement, but soon
returned to Lichfield, to complete it. The same year that saw these
successive disappointments, witnessed also Johnson's return to London,
with his tragedy completed, and its rejection by Fleetwood, the
patentee, at that time, of Drury lane theatre. Twelve years elapsed,
before it was acted, and, after many alterations by his pupil and
companion, Garrick, who was then manager of the theatre, it was, by his
zeal, and the support of the most eminent performers of the day, carried
through a representation of nine nights. Johnson's profits, after the
deduction of expenses, and together with the hundred pounds, which he
received from Robert Dodsley, for the copy, were nearly three hundred
pounds. So fallacious were the hopes cherished by Walmsley, that Johnson
would "turn out a fine tragedy writer[b]."
Public-domain text, read in full here on John Shaqi.
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