"They then urged their request with the offer of a bribe; but what I would not do for kindness, I would not do for money; and refused them, not because they had injured me, but because I would not enable them to injure others; for I knew they would have made use of my credit to cheat those who should buy their wares. "Having resided at Agra till there was no more to be learned, I travelled into Persia, where I saw many remains of ancient magnificence, and observed many new accommodations of life. The Persians are a nation eminently social, and their assemblies afforded me daily opportunities of remarking characters and manners, and of tracing human nature through all its variations. "From Persia I passed into Arabia, where I saw a nation at once pastoral and warlike; who live without any settled habitation; whose only wealth is their flocks and herds; and who have yet carried on, through all ages, an hereditary war with all mankind, though they neither covet nor envy their possessions." CHAP. X. IMLAC'S HISTORY CONTINUED. A DISSERTATION UPON POETRY. "Wherever I went, I found that poetry was considered as the highest learning, and regarded with a veneration, somewhat approaching to that which man would pay to the angelick nature. And yet it fills me with wonder, that, in almost all countries, the most ancient poets are considered as the best: whether it be that every other kind of knowledge is an acquisition gradually attained, and poetry is a gift conferred at once; or that the first poetry of every nation surprised them as a novelty, and retained the credit by consent, which it received by accident at first: or whether, as the province of poetry is to describe nature and passion, which are always the same, the first writers took possession of the most striking objects for description, and the most probable occurrences for fiction, and left nothing to those that followed them, but transcription of the same events, and new combinations of the same images. Whatever be the reason, it is commonly observed, that the early writers are in possession of nature, and their followers of art: that the first excel in strength and invention, and the latter in elegance and refinement. "I was desirous to add my name to this illustrious fraternity. I read all the poets of Persia and Arabia, and was able to repeat, by memory, the volumes that are suspended in the mosque of Mecca. But I soon found, that no man was ever great by imitation. My desire of excellence impelled me to transfer my attention to nature and to life. Nature was to be my subject, and men to be my auditors: I could never describe what I had not seen; I could not hope to move those with delight or terrour, whose interest and opinions I did not understand.