These are British sentiments. Above forty years ago, they found an echo in the breast of applauding audiences; and to this hour they are the voice of the people, in defiance of the metaphysics, and the new lights of certain politicians, who would gladly find their private advantage in the disasters of their country; a race of men, "quibus nulla ex honesto spes." The prologue to Irene is written with elegance, and, in a peculiar style, shows the literary pride and lofty spirit of the author. The epilogue, we are told, in a late publication, was written by sir William Yonge. This is a new discovery, but by no means probable. When the appendages to a dramatic performance are not assigned to a friend, or an unknown hand, or a person of fashion, they are always supposed to be written by the author of the play. It is to be wished, however, that the epilogue, in question, could be transferred to any other writer. It is the worst jeu d'esprit that ever fell from Johnson's pen[cc]. An account of the various pieces contained in this edition, such as miscellaneous tracts, and philological dissertations, would lead beyond the intended limits of this essay. It will suffice to say, that they are the productions of a man, who never wanted decorations of language, and always taught his reader to think. The life of the late king of Prussia, as far as it extends, is a model of the biographical style. The review of the Origin of Evil was, perhaps, written with asperity; but the angry epitaph which it provoked from Soame Jenyns, was an ill-timed resentment, unworthy of the genius of that amiable author.