“You are to drink a mixture of brandy and Tokay, as much as you like.
Take good long draughts--the brandy will do you good. You must forget
everything in your past, your wife as well. When you are convinced that
you have succeeded in doing that, you are on the road to recovery.
You must destroy the past, you understand. The alcohol will help you
there.”
“Destroy the past,” stammered the Count, as if sinking into a bog that
threatened to engulf him, “destroy ... the ... past....”
“In two years’ time you can think about resuming your ordinary life
again. In what time?” he broke off suddenly. “What time did I say?” he
thundered.
The Count aroused himself from his lethargy. Horrified at the length of
time involved, he answered in a low tone, “Two years.”
“Do you know that your wife wants to put you into a lunatic asylum? She
is getting the State Attorney, Wenk, to help her. Was not that the man
who rang you up?... I am coming again to-morrow.”
The Count remained alone, dejected and humiliated. It seemed as if
elephants were trampling out his brains, that his spirit was a prey
to crocodiles and he was covered with mud and slime. “The whole world
has forsaken me,” he murmured. The pictures he had collected around
him seemed to be celebrating orgies on the walls. He could no longer
understand how it was they could ever have pleased him, nor why he had
endured them so long. He took a hunting-knife and slit every one of
them from top to bottom, hacking at their frames. When he had done it,
he sprang back in horror. He held his head in his hands, groaning, “Oh
God, am I really mad?”
He began drinking brandy, and he drank it out of a claret tumbler.
When he had had three glasses he was intoxicated. Then it seemed as if
the doctor had left something behind him and that this lay in front of
him. He did not know what it was, but he tried to grasp it, and then
suddenly it had jumped to his head. It seemed like a wedge fastened
there, fitting tightly between the two halves of the brain. Fear seized
upon him and tore his courage to shreds. “Doctor, Doctor,” he shouted,
and he heard his voice re-echo in the empty rooms. The world was so
wide, yet he was alone. And then he became unconscious.
* * * * *
Karstens succumbed to his wounds, and again the public imagination
busied itself with the death of a second victim. Wenk found himself in
a difficulty and decided one day to make a final appeal to the dancer.
He went to her cell.
“I am not going to speak to you,” said Cara when she perceived him.
Wenk took no notice, and said in a troubled tone, his hopes
disappearing: “Do you know that the beautiful lady who was always
looking on at the play at Schramm’s has disappeared?”
“Not the one you sent to me in prison?” answered the dancer instantly.
Public-domain text, read in full here on John Shaqi.
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