“The grey prison walls will begin to shine!” said Wenk.
“Because of such odd proceedings,” laughed she.
“No, Countess, your beauty will light them up,” and Wenk suddenly felt
as if he loved her with a passion which must be shining in his eyes. He
bent so low over her hand in adieu that he concealed his face from her,
and she yielded it to him in a gracious gesture that was almost like
the confession of a mutual understanding between them, then hastened
away.
Out in the street the blood mounted to her cheeks, and half
unconsciously she murmured the word she had suppressed, “love ...
love,” while in Wenk’s room there remained a scent of her which he
eagerly inhaled. Then pressing both hands to his face, and indulging
his secret and mysterious presentiments, he whispered ardently into the
darkness that concealed his vision, “Death and love ... death and love!”
* * * * *
In the course of the day the report of the murder ran through the city.
It arose from the dark quarter where Hull had yielded up his useless
and trivial existence. A dark patch remained there, and the pavement
was coloured with the blood that had been shed. The thaw had made the
gutters moist and muddy, and they had sucked in the dark evidences of
the crime, till from a mere patch it became a monster, reaching from
its own narrow corner to spread throughout the town. Folks came to seek
its source, drinking in on the spot the full horrors of the deed. They
saw the monster rear its head, rush towards them and through them,
leaving disorder, abuse and dread in its wake. Like a dragon it wound
itself through the alleys to the broad Ludwigstrasse, crept through
the squares to the very heart of the city, and began to overflow all
quarters, to escape from the streets to the houses. Like an underground
drain it ran all day long, its gloomy current and dismal stench
striking terror into men’s hearts or drawing thence a force which could
but find its outlet in evil.
Three days later a woman of the streets was murdered in the night, and
the assassin was caught the very next day. He was an “out-of-work,” one
of those relics of war-time, who had fallen into a state approaching
savagery. He confessed that he did not know what he was doing when
he pressed his fingers deep into the girl’s throat. Something seemed
to seize upon him in the dark when he came round that corner by the
Jägerstrasse, and drove him to do it.
The town was enveloped as in a misty fog, impressionable and passionate
as the human heart, and the spring beyond it was obscured. The lights
thrown on life became glaring, its shadows of a wild and overwhelming
blackness. Men’s hearts were torn in two, and everywhere there was
internal conflict.
IX
Public-domain text, read in full here on John Shaqi.
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