Next evening Dr. Mabuse was invited to spend the evening at the house
of Privy Councillor Wendel, who was interested in hypnotism. After
an early supper an interesting medium would appear. In her trances
memories were awakened within her which referred to her very earliest
days ... to a time when the mind was not developed enough to be able to
record or describe the physical existence of the moment.
Mabuse had made the Privy Councillor’s acquaintance through a patient
of his, an aristocratic and wealthy dame, who had suffered from severe
neurosis and whom Mabuse had very successfully treated by hypnotic
suggestion. In the company were to be found not only professors, but
also authors, artists and the reputed friends of art, such as frequent
the society of the wealthy and fashionable nowadays.
Mabuse’s neighbour at the supper-table was a lady whom he recognized
with astonishment and perplexity. In the gambling-dens she was known to
his accomplices by the nickname of “the dummy.” The lady was Countess
Told.
Throughout the meal he devoted himself to her, paying her every
possible attention, and relating to her eager ears tales of strange
and wonderful experiences in hazardous places, of the chase of wild
animals or of human beings in parts of the world that are little
frequented. He spoke with a grim earnestness, a savage unrestraint,
enjoying once more in recollection the powers he had exercised in such
circumstances. He realized what it was that drove this woman to the
gambling-dens, and it seemed as if this sudden disclosure gave him a
pang, as if there opened up within him a chasm and a gulf so deep that
only a palpitating human heart could fill it. With his imagination and
with his bold recital he was pursuing such a heart, as in the jungle he
had pursued the tiger. The hope of conquest inflamed his blood; he felt
he must make it his own.
It was this woman’s heart he wished to subjugate. He was consumed with
passionate desire as he read in her eyes how his recital fired her
blood. That was the kind of life she craved, and her nature understood
and responded to it. He painted wild scenes for her; he showed himself
struggling for conquest with body, soul and spirit pitted against
unrestrained nature, and he desired her to believe that this wild and
unrestrained nature was within her.
She trembled at his words, and, swayed by his ardour, a longing for
support and tenderness overcame her. The recitals by which he sought to
enchain her interest aroused so forceful an impression of human power
that it seemed, in tearing herself away from them, she was actually
tearing a fragment of living, bleeding flesh when she sought out
her husband with an almost supplicating gesture, as if desirous of
protection from a force too powerful to endure.
Public-domain text, read in full here on John Shaqi.
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