Lady Boisville’s house was well known. Its tapestries, picture-gallery,
and new French ball-room were much talked of in society. When Dr. Paull
arrived, the picture-gallery was already nearly filled by a brilliant
crowd who were seated or standing about in groups, awaiting the young
French prince. Hugh took up his position in the background. He had been
forced into this gathering, he determined to remain a spectator of the
interesting living picture as much as possible. At first it seemed as if
his intention would be fulfilled. The concert began. Celebrated Italian
singers warbled delicious music. The ladies smiled and fluttered their
fans. The men conversed in snatches between the pieces, while the
Boisville ancestors frowned darkly or smiled blankly from among the
celebrated black canvases of the old Dutch painters or the gay
Canalettis for which the Boisville collection was famous. One or two men
he knew, the most celebrated portrait painter of the day, two of the
foremost members of the Cabinet, and the physician dearest to reigning
royalty, came up and talked with him. All seemed surprised to see him.
One of the statesmen, a man of constitutional vigour and renowned for
his honest joviality, told him he was taking a step in the right
direction.
“You preach at your patients not to shut themselves up,” he said. “But
hitherto you have not followed your own prescription.”
Just after that the portrait painter came up to him.
“I have just seen the loveliest woman in the world,” he said,
enthusiastically; “and Lady Boisville tells me you are her doctor. Lucky
fellow!”
And forthwith he questioned Hugh with what Dr. Paull considered
execrable taste, until at last he made some excuse and came out of his
corner to avoid the man.
Then he saw Mercedes, an exquisite picture in some silvery gossamer
stuff, with pearls round her girlish throat and a long trail of lilies
from her beautiful shoulder to the hem of her dress. Her large eyes were
travelling restlessly from face to face, her lips were apart, she was
nervously playing with her fan, yet the French prince was talking to
her, and in the knot of people around them were some of the celebrities
of the day. Their eyes met, her face lit up with pleasure, his heart
seemed to swell with some emotion. He was touched, yet was angry with
himself for being so.
“I suppose I must speak to her,” he told himself; “but that must
suffice. After that, I go home.”
He waited until the French prince moved away, then went up to her and
asked her how she was.
“Very well, _now_,” she said. “Not before, for you had not come.”
“I have been here all the evening,” said Hugh, as coolly as he could,
for her sweet face lifted to his actually stirred his steady pulses, and
he rebelled against these new, involuntary sensations. “I must go, now.
Good-bye! I am glad you are looking so well.”
“You will stay? Just a little while?” she pleaded.
“I am sorry that I cannot possibly do so,” he said. “My time is not my
own.”
Public-domain text, read in full here on John Shaqi.
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