“Will you sit here a minute?” I asked. “I want to see what time it is. I
must strike a match under the bushes—there is too much wind here.”
I slipped away, and going round came slowly into the moonlight opposite
to her. Ah! it was terrible to see her seated there, then to see her
spring up and come to me—for once in my life, to experience a realised
dream.
“Let us go,” she said, passionately—I had never seen her so disturbed.
“I remember—come—!”
I accompanied her, passively. She went along the path between the
laurels, then, after but a moment’s hesitation, she took the path
leading to the terrace.
A few swift steps and she turned back to see if I followed.
“Come!” she said, in a voice of pain. “Come!”
Then, after one more poise—like a bird before it takes flight—she
hurried up the slope and was at the end of the terrace. The wide, grassy
avenue was before us.
I joined her. It was a long time since I had visited the spot. The long
grass was rank and weedy, the beds were unkempt—I could see that much in
this light. The scene by moonlight, that light which chastens and
beautifies, was desolate—what would it be by the light of day?
The shame that I had neglected this favourite resort of Lilia’s
partially levelled emotions, brought me back in some degree to ordinary
common sense. But my practical mood did not last long. I followed
Mercedes across the grass, blaming myself that I had let her come here,
to a spot which was a disgrace to its proprietor in its neglected
state—when to my astonishment she flung her arm about the stone fountain
and turned upon me.
Her face, in the moonlight, looked drawn—I should scarcely have
recognised her, nor indeed should I have recognised her sweet, dear
voice.
Oh! what was it she said, in those hard, shrill tones? I was so
unnerved, I can hardly recall those terrible words.
But she spoke with reproach.
“Where is the water here?” she asked. “There were fish—gold fish, silver
fish—where are _they_? Where are the _flowers_? There were roses, red
roses there,” and, pointing to a bed where Sir Roderick by careful
expenditure had cultivated some hardy rose trees, she fell prone at my
feet.
I had my token—she knew the place as it was of old, before she had
awakened in this world.
Perhaps the greatest mystery among these many mysteries is this—I can
write it all down, just as it happened, calmly, coolly, as I should
record an exceptional case in medicine.
I took her in my arms and carried her back through the wood into the
flower garden of the house. She was a dead weight, but I was impervious
to ordinary impressions. Then I laid her upon a wide wooden bench in the
Italian garden, and by slow degrees she recovered. Before the clock
struck ten, she was able to join them all in the drawing-room.
Public-domain text, read in full here on John Shaqi.
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