New Orleans (La.) -- Social life and customs -- 19th century -- Fiction; Physicians -- Fiction
Here, then, in this lone old Creole cottage, Mary was tarrying, prisoner
of hope, coming out all hours of the day, and scanning the wide view,
first, only her hand to shade her brow, and then with the old
ship's-glass, Alice often standing by and looking up at this
extraordinary toy with unspoken wonder. All that Mary could tell her of
things seeable through it could never persuade the child to risk her own
eye at either end of it. So Mary would look again and see, out in the
prairie, in the morning, the reed birds, the marsh hen, the blackbirds,
the sparrows, the starlings, with their red and yellow epaulets, rising
and fluttering and sinking again among the lilies and mallows, and the
white crane, paler than a ghost, wading in the grassy shallows. She saw
the ravening garfish leap from the bayou, and the mullet in shining
hundreds spatter away to left and right; and the fisherman and the
shrimp-catcher in their canoes come gliding up the glassy stream, riding
down the water-lilies, that rose again behind and shook the drops from
their crowns, like water-sprites. Here and there, farther out, she saw
the little cat-boats of the neighboring village crawling along the edge
of the lake, taking their timid morning cruises. And far away she saw
the titanic clouds; but on the horizon, no sail.
In the evening she would see mocking-birds coming out of the savanna and
flying into the live-oaks. A summer duck might dart from the cypresses,
speed across the wide green level, and become a swerving, vanishing
speck on the sky. The heron might come round the bayou's bend, and
suddenly take fright and fly back again. The rattling kingfisher might
come up the stream, and the blue crane sail silently through the purple
haze that hung between the swamp and the bayou. She would see the gulls,
gray and white, on the margin of the lake, the sun setting beyond its
western end, and the sky and water turning all beautiful tints; and
every now and then, low down along the cool, wrinkling waters, passed
across the round eye of the glass the broad, downward-curved wing of the
pelican. But when she ventured to lift the glass to the horizon, she
swept it from east to west in vain. No sail.
"Dawn't I tell you no use look? Peter dawn't comin' in day-time, nohow."
But on the fifth morning Mary had hardly made her appearance on the
veranda, and had not ventured near the spy-glass yet, when the old man
said:--
"She rain back in swamp las' night; can smell."
"How do you feel this morning?" asked Mary, facing around from her first
glance across the waters. He did not heed.
"See dat win'?" he asked, lifting one hand a little from the top of his
staff.
"Yes," responded Mary, eagerly; "why, it's--hasn't it--changed?"
"Yes, change' las' night 'fo' went to bed."
The old man's manner betrayed his contempt for one who could be
interested in such a change, and yet not know when it took place.
"Why, then," began Mary, and started as if to take down the glass.
Public-domain text, read in full here on John Shaqi.
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