at the Hôtel Dieu in Paris, and he strove, not unsuccessfully, to imbue
these little parties with a spirit of the _vie de Bohème_ which rules
the denizens of the Latin Quarter. The viands were very good and very
cheap, and though there was plenty of fun and laughter, there was no
license.
Soon after the establishment of his acquaintance with Clarisse, Rupert
invited her and her partner to one of these banquets, and she soon
became popular with the set who were admitted to them. Mademoiselle
Anatole they did not think much of; indeed, Miss Bella Montmorency,
one of the four leading _coryphées_ who at that time were creating
such a sensation in the ballet of _Mustapha_ at the T.R.D.L, said all
the use that that thin Frenchwoman could be made of was to replace the
skeleton, a relic of Rupert's old surgical life, which he sometimes
brought out of its box and seated at the table, crowned with flowers.
But with Clarisse they were very different. She was bright and cheery,
sang a pretty little song, and laughed a merry little ringing laugh at
all the jokes, whether she understood them or not; and the ballet-girls
liked her very much, and invited her to come and see them, and tried to
help her in the world. They could not do much in that way themselves,
for they made their own dresses of course, and when they had a present
of a black-silk gown or a shawl, had no chance of recommending any
particular vendor; but when they saw that the Frenchwomen were really
excellent in their business, they spoke about them in the theatre so
loudly, that the rumours of their proficiency reached the ears of Mrs.
Lannigan and Miss Calverley, the two "leading ladies" of the theatre,
and incited their curiosity. The crimson-slashed jackets and the lovely
diaphanous nether garments, the Polish lancer-caps and the red boots
with brass heels, which these ladies wore in the burlesques, were
provided by the management and prepared by Miss Hirst, the wardrobe
woman, a crushed creature with a pock-marked face and a wall-eye,
who always had the bosom of her gown studded with pins, and her hair
streaked with fluffy ends of thread. But when phases of modern life
were to be represented, the ladies chose to find their own dresses; and
hearing of the excellent "cut" and "fit" of Mademoiselles Anatole and
Clarisse, were persuaded to give those young women a trial. The result
was favourable, recommendation followed on recommendation, and the firm
had as much work as it could possibly get through.
Public-domain text, read in full here on John Shaqi.
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