Mademoiselle Clarisse took a week to think over all that Pierre had
said to her before coming to any decision. Her ambition had increased
with her success, and she had long since ceased to think very highly of
the patronage of the theatrical ladies, to obtain which at one time she
would have made any sacrifice. For some time she had been in business
on her own account; Mademoiselle Anatole, so soon as she realised a
sufficiency, having retired to Lyons, there to weep and grizzle and
sniff, and make herself as uncomfortable and unpleasant-looking as the
vast majority of French old maids. And Clarisse was fully aware of
M. Pierre's talent, and believed in his fortune; and verging towards
middle age, and having lost sight of Rupert Robinson, and others for
whom she had had her _caprices_ after him, and having lost her zest
for rollicking suppers and fun of that kind, thought she could not
do better than settle herself in life, and accordingly accepted M.
Pierre's proposal.
She soon found she had done rightly. Many of her husband's old
patronesses consented to give her a trial for his sake, and were
so pleased that they recommended her to all their friends. The
establishment in George Street was then first opened, and M. Pierre not
only did all he promised but a great deal more. For, being always a
man of great taste, he turned his attention to the devising of special
articles of millinery, then employed his manual dexterity in carrying
out his ideas; and not suffering in any way from a sense of the
ridiculous, he might be seen hour after hour in his sanctum, with his
glasses on his nose and an embroidered skull-cap on his head, singing
away some pastoral _chanson_ or drinking couplet, while his nimble
fingers were busily engaged in stitching at a novel kind of headdress
or in sketching out a design for an artistic bonnet. He was proud of
his wife's appearance and pleased with her industry and success, and
he enjoyed his married life very much for a couple of years, making
a point of going to St. James's Street on drawing-room days, and to
the Opera on great nights, to admire the results of his handiwork,
but otherwise living very domestically and quietly; and then he died,
leaving all his worldly possessions to his widow.
Public-domain text, read in full here on John Shaqi.
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