Drake; or, the Transfer of the Trident: A National DramaMacOubrey, William
General
Drake; or, the Transfer of the Trident: A National Drama
MacOubrey, William
Drake, Francis, approximately 1540-1596 -- Drama; Elizabeth I, Queen of England, 1533-1603 -- Drama; English drama -- 19th century
Ye savage winds—fierce angry gusts to howl one’s requiem. All
looks like silence and forgetfulness! (_his eye catches sight of the
skeletons_) Hah! Magellan’s Traitors! There swing your mouldering
bones. Fit place for execution. Ye paid your debt. Would the penalty
had blotted treason from the world! Now, death, I welcome thee! (_He
takes a bottle from his bosom_—_holds it up_—_drinks the contents and
throws the bottle away_. _The Chaplain rushes forward to arrest his
hand_.) Fletcher, I was prepared for this. Who plots should count the
cost. So perish treason! The tyrant’s tool—the curse of liberty—that
foils the patriot in his hour of might!—And. This poison’s
quick!—Fletcher, thou art my friend! (_He looks at him imploringly_.)
You’ll see me decently interred and let my crime be buried with my bones.
England thou art avenged. Be free and happy! (_He begins to
stagger_—FLETCHER _supports him_.) Friend—the end is near.—Oh! I have
much to say; and speech deserts me! (_He totters_.) I—I—(_he sinks down
holding_ FLETCHER—_and making an effort to speak dies_—.)
_Scene changes_.
SCENE II.—THE QUEEN’S PRIVATE CHAMBER.
_The_ QUEEN _walking about in deep thought_, _with anxious uneasy
gestures_, _and hesitating step_, MRS. ASHLEY, _her waiting woman
watching her intently_. _The_ QUEEN _stops in front of a marble table_,
_backed by a large steel mirror in which is reflected_ LEICESTER’S
_symbolic present_, _scarcely less vividly represented in the polished
surface on which it reposes_.
QUEEN. Marvellous production! What art thou? How camest thou forth,
thus full of fearful meaning, and whence this atmosphere of thought,
surrounding thee, arresting attention for thyself, bearing the rapt soul
beyond the present, with prophecy sublime and breathing power to tell
without a tongue, of coming greatness! Beneath the frenzied eye thou
dost assume proportions grand, looming its giant abstract, through dim
futurity. No creature of Leicester’s paltry brain art thou. No
workman’s unreflecting labour, no design of common art assembled those
ideas, above the mortal mind. Conception vast! Some angels prompting
through an artist’s skill, fathomless to me. I’ll try the common mind!
(_She turns to her waiting woman_). Ashley, you know how high I hold
your tact and judgment, in the subtle, tortuous ways of life, your clear
opinion of men and things. How many changes you have seen! a rare
experience yours, through the late bloody reigns. Mine has been sad, but
you have lived longer.
MRS. ASHLEY. Yes, my dear mistress and still of most concern to me, was
what concerned your Royal Majesty. They knew well how truly I loved you,
when, on your return to Ashridge after your release from Woodstock, you
sent for me; and they committed me to the Fleet.
Public-domain text, read in full here on John Shaqi.
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