Drake; or, the Transfer of the Trident: A National DramaMacOubrey, William
General
Drake; or, the Transfer of the Trident: A National Drama
MacOubrey, William
Drake, Francis, approximately 1540-1596 -- Drama; Elizabeth I, Queen of England, 1533-1603 -- Drama; English drama -- 19th century
QUEEN. Hah! What aged companion thou, abruptly thrust upon me?
Unflattering mirror! Thou art no courtier! Care!—subtle poison—sure if
slow.—I see thy working.—Remembrancer I thank thee. Still! Providence,
I wait thy pleasure—though what a life! An atmosphere of terror—my vital
air—to school me, doubtless, for thy purpose—to teach me cautious
circumspection. Mysterious awe hung o’er my childhood—the latent
influence of my mother’s fate, though then to me unknown. Nordic! I
seem alone in this. The taint was upon all around—a wrinkle on every
brow—a sorrow unexpressed in midst of joy and show, and brave
festivity.—Danger and insecurity seemed to sit on all! England was
merry—loud the roar of wassail.—But thoughtful people stopped short in
laughter as if chid; and swaggering, warlike Britons, though in peace,
held themselves erect for fight. The social heavens were black with
clouds—surcharged with thunder in the midst of sunshine. Such! my
earliest—undefined impression. Ever present—ever coming danger! Yet I
feared not—rather longed to meet it face to face (_she walks musing_).
When Edward died, and during Mary’s reign, what portents scared mankind!
Unnatural frost bound the Earth, stifled vegetation dried up rivers. The
Thames was solid till the month of May! Showers of red hail, like drops
of gore congealed, sign of coming strife—a nation’s blood! and, as it lay
around the roses in their gardens, men thought of York and Lancaster, and
grew pale. Births of hideous monsters; frighted women; bodies with
double heads and limbs.—Storms rent the welkin with unheard of fury, tore
trees of ancient growth up by the roots, and hurled them in wild passion
through the air! The summer’s sun in hot July, as putting mourning on,
grew black as winter night. Rain, a second deluge! flooded the houses of
terror-stricken London, and changed its streets to torrents. (_Her
soliloquy is broken off by the entrance of the_ EARL OF EFFINGHAM.
_Enter_ LORD WILLIAM HOWARD, EARL OF EFFINGHAM. _The_ QUEEN _rushes to
him_, _throws her arms round his neck and kisses him_, _with a transport
of affection_, _and tears of filial fondness_.) My loved! My honoured
kinsman! My more than father!—that with heroic greatness stood to the
lone girl, through danger, death, and tyranny! (_she is overcome with
emotion_).
LORD WILLIAM HOWARD (_tenderly looking at her whilst he still
affectionately holds her_). Thy sweet face is sad! What clouds thy
queenly brow?
QUEEN. At sight of thee, noble kinsman, the Tower and Woodstock, and the
hostile court, rise like hideous goblins—and the base courtiers tendering
their cold salutes, almost contempt. Wretches! I see them in vision,
cowering at the thunder of thy step and voice. “Down on your knees to
her, and kiss her hand” you shouted. Oh! the dismay of Philip and his
Spaniards!—the scowl of Mary!—Alva alone was firm.—Some one muttered
“Treason!—Tower!”
Public-domain text, read in full here on John Shaqi.
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