The grave and equable sweep of this verse, so unlike most of the hot and flurried rhyming of contemporaries, has the excellence of form which gives adequate expression to a really poetic conception. Watson takes a very serious view of things, except in a few attempts at satire or playfulness, which are not quite fortunate either in idea or in execution. He has the laudable desire to enter into competition with the great masters on their own ground. And the result is by no means ludicrous, as it would be with most people. Only it is a little as if the accomplished copyist were to challenge comparison with the picture which he has, after all, copied. Work done in the manner, and under the influence, of previous writers may indeed, under certain circumstances, attain the virtue of originality; but only under certain circumstances. Chatterton, for instance, was original only when he copied, or when he fancied he was copying; Keats was absolutely himself even at the period when his form was entirely imitative. The personality of some men can find no home in the present, can wear no dress of modern fashion; can express itself only by a return to the ways of speech of an earlier age. But this sort of spiritual nostalgia can only become effective when it is a very deep and individual instinct, and not merely a general literary sympathy. Watson has learned more from his masters than he has brought to them. We have read his latest book with real appreciation of its many admirable qualities, but, on closing it, we have no more definite idea of Watson himself, of what he really is, apart from what he chooses to express, than we had before opening it. And yet the greater part of the book, in one sense, is quite personal. He tells us what he thought of Stevenson's _Catriona_, how he felt in Richmond Park, and of his friendly regard for one or two estimable men of letters. But the real man, the real point of view, the outlook on life, the deeper human sympathies: what do we learn of these? There is, indeed, one poem, among the finest in the book, in which a touch of more acute personal feeling gives a more intimate thrill to the verse--the poem called _Vita Nuova_, of which we may quote the greater part: