The genius of Francis Thompson was oriental, exuberant in color woven
into elaborate patterns, and went draped in old silken robes that had
survived many dynasties. The spectacle of him was an enchantment; he
passed like a wild vagabond of the mind, dazzling our sight. He had no
message, but he dropped sentences by the way, cries of joy or pity, love
of children, worship of the Virgin and saints and of those who were
patron saints to him on earth; his voice was heard like a wandering
music, which no one heeded for what it said, in a strange tongue, but
which came troublingly into the mind, bringing it the solace of its old
recaptured melodies. Other poets of his time have had deeper things to
say, and a more flawless beauty; others have put more of their hearts
into their song; but no one has been a torch waved with so fitful a
splendor over the gulfs of our darkness.
COVENTRY PATMORE
The most austere poet of our time, Coventry Patmore, conceived of art as
a sort of abstract ecstasy, whose source, limit and end are that supreme
wisdom which is the innermost essence of love. Thus the whole of his
work, those "bitter, sweet, few and veiled" songs, which are the fruit
of two out of his seventy years, is love-poetry; and it is love-poetry
of a quite unique kind. In the earlier of his two books, _The Angel in
the House_, we see him, in the midst of a scientific generation (in
which it was supposed that by adding prose to poetry you doubled the
value of poetry) unable to escape the influence of his time, desperately
set on doing the wrong thing by design, yet unable to keep himself from
often doing the right thing by accident. In his later book, _The Unknown
Eros_, he has achieved the proper recognition of himself, the full
consciousness of the means to his own end; and it is by _The Unknown
Eros_ that he will love, if it is enough claim to immortality to have
written the most devout, subtle and sublimated love-poetry of our
century.
Patmore tells us in _The Angel in the House_ that it was his intention
to write
That hymn for which the whole world longs,
A worthy hymn in woman's praise.
Public-domain text, read in full here on John Shaqi.
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