Country life -- Fiction; England -- Fiction; Siblings -- Fiction
It is a very fine thing to be a real Prince. There are points about
a Pirate Chief, and to succeed to the Captaincy of a Robber Band is a
truly magnificent thing. But to be an Heir has also about it something
extremely captivating. Not only a long-lost heir--an heir of the
melodrama, strutting into your hitherto unsuspected kingdom at just the
right moment, loaded up with the consciousness of unguessed merit and
of rights so long feloniously withheld--but even to be a common
humdrum domestic heir is a profession to which few would refuse to be
apprenticed. To step from leading-strings and restrictions and one glass
of port after dinner, into property and liberty and due appreciation,
saved up, polished and varnished, dusted and laid in lavender, all
expressly for you--why, even the Princedom and the Robber Captaincy,
when their anxieties and responsibilities are considered, have hardly
more to offer. And so it will continue to be a problem, to the youth in
whom ambition struggles with a certain sensuous appreciation of life's
side-dishes, whether the career he is called upon to select out of the
glittering knick-knacks that strew the counter had better be that of an
heir or an engine-driver.
In the case of eldest sons, this problem has a way of solving itself. In
childhood, however, the actual heirship is apt to work on the principle
of the “Borough-English” of our happier ancestors, and in most cases
of inheritance it is the youngest that succeeds. Where the “res” is
“angusta,” and the weekly books are simply a series of stiff hurdles
at each of which in succession the paternal legs falter with growing
suspicion of their powers to clear the flight, it is in the affair of
clothes that the right of succession tells, and “the hard heir strides
about the land” in trousers long ago framed for fraternal limbs--frondes
novas et non sua poma. A bitter thing indeed! Of those pretty silken
threads that knit humanity together, high and low, past and present,
none is tougher, more pervading, or more iridescent, than the honest,
simple pleasure of new clothes. It tugs at the man as it tugs at the
woman; the smirk of the well-fitted prince is no different from the
smirk of the Sunday-clad peasant; and the veins of the elders tingle
with the same thrill that sets their fresh-frocked grandchildren
skipping. Never trust people who pretend that they have no joy in their
new clothes.
Public-domain text, read in full here on John Shaqi.
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