Dream Tales and Prose PoemsTurgenev, Ivan Sergeevich
General
Dream Tales and Prose Poems
Turgenev, Ivan Sergeevich
Russia -- Social life and customs -- Fiction; Turgenev, Ivan Sergeevich, 1818-1883 -- Translations into English
Three hours later, Antonio came to him with the announcement that
everything was ready, the things were packed, and Signor Muzzio was
preparing to start. Without a word in answer to his servant, Fabio went out
on to the terrace, whence the pavilion could be seen. A few pack-horses
were grouped before it; a powerful raven horse, saddled for two riders, was
led up to the steps, where servants were standing bare-headed, together
with armed attendants. The door of the pavilion opened, and supported by
the Malay, who wore once more his ordinary attire, appeared Muzzio. His
face was death-like, and his hands hung like a dead man’s--but he walked
... yes, positively walked, and, seated on the charger, he sat upright
and felt for and found the reins. The Malay put his feet in the stirrups,
leaped up behind him on the saddle, put his arm round him, and the whole
party started. The horses moved at a walking pace, and when they turned
round before the house, Fabio fancied that in Muzzio’s dark face there
gleamed two spots of white.... Could it be he had turned his eyes upon him?
Only the Malay bowed to him ... ironically, as ever.
Did Valeria see all this? The blinds of her windows were drawn ... but it
may be she was standing behind them.
XIV
At dinner-time she came into the dining-room, and was very quiet and
affectionate; she still complained, however, of weariness. But there was
no agitation about her now, none of her former constant bewilderment and
secret dread; and when, the day after Muzzio’s departure, Fabio set to work
again on her portrait, he found in her features the pure expression, the
momentary eclipse of which had so troubled him ... and his brush moved
lightly and faithfully over the canvas.
The husband and wife took up their old life again. Muzzio vanished for
them as though he had never existed. Fabio and Valeria were agreed, as it
seemed, not to utter a syllable referring to him, not to learn anything of
his later days; his fate remained, however, a mystery for all. Muzzio did
actually disappear, as though he had sunk into the earth. Fabio one day
thought it his duty to tell Valeria exactly what had taken place on that
fatal night ... but she probably divined his intention, and she held her
breath, half-shutting her eyes, as though she were expecting a blow.... And
Fabio understood her; he did not inflict that blow upon her.
One fine autumn day, Fabio was putting the last touches to his picture of
his Cecilia; Valeria sat at the organ, her fingers straying at random over
the keys.... Suddenly, without her knowing it, from under her hands came
the first notes of that song of triumphant love which Muzzio had once
played; and at the same instant, for the first time since her marriage, she
felt within her the throb of a new palpitating life.... Valeria started,
stopped....
What did it mean? Could it be....
* * * * *
At this word the manuscript ended.
THE DREAM
I
Public-domain text, read in full here on John Shaqi.
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