When her body was brought, he told the bearers to lay her in the
grave, earth to earth. The onlookers wept to see how, for once, that
shroud which every bride wore over her fur robe was become a fitting
ornament, and how the marvellous fairness of the dead face, crowned
with its myrtle garlands, gleamed through the bridal veil. The Master
placed two stalwart men with their faces towards the grave, and bade
them, the instant they noted any change in her face, take her out.
Then he leaned upon his staff and gazed at the dead face. And those
who were near said his face shone with a heavenly light of pity; but
his brow was wrinkled as though in grave deliberation. The moments
passed, but the Master remained as motionless as she in the grave. And
all the people stood around in awed suspense, scarce daring to
whisper. Suddenly a slight flush appeared in the dead face. The Baal
Shem gave a signal, the two men lifted out the bride from the raw
earth, and he cried: "Get on with the wedding," and walked away.
"Nay, come with us," besought the weeping bridegroom, falling at his
feet and kissing the hem of his garment. "Who but thou should perform
the ceremony?"
So the throng swept back towards the synagogue with many rejoicings
and songs, and the extinguished torches were relighted, and the music
struck up again, and the bride walked, escorted by her friends,
seemingly unconscious that this was not the same joyous procession
which had set out in the morning, or that she had already stood under
the canopy. But, when they were arrived in the synagogue courtyard,
and the Baal Shem began the ceremony, then as she heard his voice, a
strange light of recollection leapt into her face. She tore off her
veil and cried, "This is the man that drew me out of the cold grave."
Public-domain text, read in full here on John Shaqi.
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